Entering the Forsythean Maze

William Forsythe's Sider. (L to R): Yasutake Shimaji, Cyril Baldy, Josh Johnson. Photo: Julieta Cervantes

William Forsythe brings his 2011 Sider to the Brooklyn Academy of Music.   When you watch a recent work by William Forsythe, you may find yourself responding to it on two levels. Sitting in the Brooklyn Academy of Music to watch his 2011 Sider (part of BAM’s 2013 Next Wave Festival), you take in what the dancers are doing (say moving large rectangles of corrugated cardboard around), … [Read more...]

East to West to East

(L to R) Nathan Makolandra, Morgan Lugo, and (aloft) Charlie Hodges in Benjamin Millepied's Moving Parts. Photo: Stephanie Berger

A choreographer who has just formed his own small company must be very, very brave to make Merce Cunningham’s 1964 Winterbranch the centerpiece of its debut program. Benjamin Millepied is certifiably brave. Starting a group in Los Angeles and naming it the L.A. Dance Project is already adventurous. I’m an Angeleno by birth, with the scent of eucalyptus and Pacific salt air embedded in my … [Read more...]

Wandering Down Memory Lane

Esther Balfe in I don't believe in outer space. Photo: Julieta Cervantes

William Forsythe is an innovator. I doubt that fact is even up for debate among those who adore his work, those who loathe it, and those who simply scratch their heads over it. His post post-Balanchine ballets, his installations, his recent theater pieces, and his 2004 computer app, Improvisation Technologies: A Tool for the Analytical Dance Eye, have influenced choreographers, performers, … [Read more...]