Silence doesn’t play a large role in Michelle Dorrance’s SOUNDspace. In the Danspace performances of Dorrance Dance/New York, the choreographer treats St. Mark’s Church as an acoustic instrument, and the building is happy to comply. Back in 1795, when its cornerstone was laid, ministers had no microphones, and the voices of parishioners hymning their lungs out could make it seem as if the high vaulted ceiling overhead was merely a stop on the way to heaven. To a tap artist like Dorrance, resonance goes hand in hand with rhythm, and a … [Read more...]
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