Footloose and Fancy Free

L to R: Daniel Ulbricht, Tyler Angle, Robert Fairchild in Jerome Robbins's Fancy Free. Photo: Christopher Duggan

New York City Ballet's Daniel Ulbricht brings a cadre of his peers to Jacob's Pillow Touring with a small pick-up company of colleagues drawn from a major ballet company must be akin to masterminding a working vacation with your pals. What will you need in the way of costumes and sets and, since you won’t be able to carry live musicians along, well-made CDs? What will you need to do to … [Read more...]

Fairy Tales to the Max

Joan Boada and Maria Kochetkova of the San Francisco Ballet in Christopher Wheeldon's Cinderalla. Photo: Erik Tomasson

Christopher Wheeldon's Cinderella and Matthew Bourne's Sleeping Beauty update classic scores and fairytales. When it comes to fairy tales danced out onstage, the borderline between what’s logical in magic worlds and what gives rise to questions is often blurred. The San Francisco Ballet’s production of Christopher Wheeldon’s Cinderella at Lincoln Center and the British New Adventures … [Read more...]

Good News from San Francisco

San Francisco Ballet  dancers (L to R) Shane Wuerther, Luke Ingham, and Luke Willis court Sofiane Sylve in Alexei Ratmansky's From Foreign Lands. Photo: Erik Tomasson

The San Francisco Ballet comes to Lincoln Center with two mixed bills of ballets by seven choreographers. The artistic director of a large ballet company must have headaches rather different from those of a Wall Street trader. His (and such directors tend to be male) “stocks” are highly volatile. Helgi Tomasson, who leads the San Francisco Ballet, can make predictions about how ballets by … [Read more...]

All American

Tiler Peck and Robert Fairchild in Christopher Wheeldon's A Place for Us. Photo: Paul Kolnik

New York City Ballet, Lincoln Center, April 30 through June 9 In the Spring of 1988, the New York City Ballet put on an American Music Festival. George Balanchine had been dead for five years, and the two Ballet Masters in Chief, Peter Martins and Jerome Robbins, commissioned enough new ballets to keep dancers, guest choreographers, and resident choreographers rushing in and out of the … [Read more...]

Flaming Magic and Goofy Girls

Natalia Osipova in Alexei Ratmansky's new Firebird for ABT. Photo: Gene Schiavone

One of the most surprising things about American Ballet Theatre’s new Firebird is how Russian it isn’t. When Serge Diaghilev commissioned 27-year-old Igor Stravinsky to write his first ballet score, one of the impresario’s continuing aims was to acquaint Paris with Russian music and culture. L’Oiseau de Feu premiered in 1910 with a wandering Tsarevitch as its hero and a magic bird as its … [Read more...]

It’s All Wheeldon

Wendy Whelan and Robert Fairchild in Christopher Wheeldon's Les Carillons. Photo: Paul Kolnik

Trying to trace Christopher Wheeldon’s career, you might decide he has a vagabond streak that tugs against a now-and-then yen for stability. As a young dancer and choreographer-in-waiting, he left Britain’s Royal Ballet for the New York City Ballet, became NYCB’s resident choreographer from 2000 to 2008, started Morphoses/The Wheeldon Company while still affiliated with NYCB, pulled out of that in … [Read more...]