Pina Bausch Returns to Juilliard

Fourth-year Juilliard students Kristina Bentz and Bynh Ho in Pina Bausch's Wind von West. Photo: Rosalie O'Connor

Juilliard students appear in premieres by Takehiro Ueyama, Brian Brooks, and Darrell Grand Moultrie, plus a reconstruction of a work by Pina Bausch. Every winter, the Juilliard School presents its dance students in four new works. All its dance students.  Although—since some pieces are double cast—you might have to attend two performances to see every single talented dancer on stage. This … [Read more...]

Life as Disorder, Order as Life

Jeff Sykes (L) and Bryan Strimpel lift Matthew Albert in Brian Brooks's Run Don't Run. Photo: Julieta Cervantes

David Dorfman and Brian Brooks present new works in two of BAM's theaters. Choreographer David Dorfman wears his heart on his sleeve. As his newest work Come, and Back Again shows, it’s a very big heart and an imaginatively tailored sleeve. His past works have tackled political, historical, and social topics, but always in warmly personal ways. He’s not shy about friendship as a topic … [Read more...]

Restless Creature

Wendy Whelan in Joshua Beamish's Waltz Epoca. Photo: Christopher Duggan

Wendy Whelan’s “Restless Creature,” duets choreographed by Kyle Abraham, Joshua Beamish, Brian Brooks, and Alejandro Cerrudo. At Jacob’s Pillow, August 14-17. Ballet dancers tend to have short careers onstage. If they retire at around 36 (as they often do), they’ve spent as many years training to dance as they have performing. Some stay in the field as teachers, choreographers, and company … [Read more...]

Again and Again, Never the Same

Jo-anne Lee and Brian Brooks in Big City. Photo: Christopher Duggan

Brian Brooks Moving Company performs at Jacob’s Pillow, Becket, Massachusetts, July 10-14. A machine repeats its patterned moves over and over; nothing changes unless one of its parts breaks or something gets caught in the works. Human beings may repeat the same movement many times, but to use the word “same” is simply a verbal convenience. Without meaning to, they may emphasize aspects of … [Read more...]