A slender, beautiful black woman, wearing a black, high-necked 19th-century gown, sits motionless in a wooden chair on a stage covered with sand. A stuffed raven perches on her wrist. She sits there for a very long time. The stage is that of the Brooklyn Academy of Music’s Opera House, the women is Sheryl Sutton, it’s 1970, and the image occurs in Robert Wilson’s The Life and Times of Sigmund Freud (1970). Those who know Wilson primarily for his radical productions of operas might not remember his magical, mystifying early works that … [Read more...]
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