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July 2, 2009
'A Dance Lover's Paradise' In The South Of France "With 28 choreographers from 10 countries presenting 16 world premieres in as many days,
30,000 spectators are expected to attend the [Montpellier Dance F]estival, which ends July 4. And it's here that Angelin Preljocaj took to the stage for the first time in 16 years in
Un Funambule ('The Tightrope Walker')."
Los Angeles Times 06/28/09
The Masochism Tango: Why Finland Took The Archetypal Argentine Dance To Heart "It seems the melancholic music is a perfect match for the typical Finnish soul. 'It's a little bit sad, and it's beautiful,' a woman tells me at a dimly lit Helsinki restaurant that regularly hosts dances. Paradoxically, when she moves to these sad melodies, she feels happy. (She didn't want to be named, her reason being another national trait: shyness.)"
Christian Science Monitor 06/26/09
July 1, 2009
Hey, Rugby Players! Are You Man Enough To Get Through A Ballet Class? This week the coach of South Africa's national rugby team defended an eye-gouging incident by one of his players by saying, in effect, that rugby ain't ballet, it's a violent sport. So South African Ballet Theatre invited the players to take a class with them and see how they fared opposite some
real men in tights.
The Times (South Africa) 07/01/09
The Elation And Devastation Of Pina Bausch's Work Pina Bausch could "take you to a higher place that you didn't even know existed. Not all the time and not every time, but she could do it. How? One way was by demanding that her performers dig deep within their own memories and feelings; famously, Bausch said that she was not interested in how people move, but in what moves them." A clip-by-clip guide to her work.
The Guardian (UK) 07/01/09
June 30, 2009
New York Times 06/30/09
A Pina Bausch Naysayer Eulogizes Her Work Alastair Macaulay: "What is scarcely diminished by Ms. Bausch's death is the art of dance. There were good dance moments in her work, but they were usually of secondary interest and choreographically of no lasting import. Her big-scale dance episodes were mainly wild and vehement forms of not quite coherent expressionism. Another strange component of Ms. Bausch's dance style was bad ballet. The way her performers would make a point of forcing themselves to do adagios, turns and jumps
was part of the extraordinary masochism she often placed onstage."
New York Times 07/01/09
Bausch's Influence Reached Far Beyond Dance The death of Pina Bausch "is an appalling shock and a tragedy not only for the dance world, but also for the entire international arts world. Bausch's visionary work as dancer, choreographer and creator of the Tanztheater Wuppertal had a reach way, way beyond the confines of the German town where she worked. Theatre and opera simply wouldn't look the way they do today without Bausch; she has also had an enormous influence on visual art and cinema...."
The Guardian (UK) 06/30/09
June 29, 2009
New York Examiner 06/29/09
June 28, 2009
Why Does Merce Cunningham Want To Shut Down His Company? "Why break up so solidly established an ensemble? Because modern-dance troupes, which are almost always dominated by a single choreographer, have a notoriously poor track record of institutional survival after their charismatic founders pass away. Mr. Cunningham, by contrast, is more interested in preserving his fragile choreographic legacy than in keeping his company afloat."
The Wall Street Journal 06/27/09
Carlos Acosta On The Ravages Of Dance Anyone who knows anything at all about ballet knows that it's unbelievably hard work. "We're very strong-minded people. We learn to control the struggle. You wake up every single day to hammer your body, and you do it, and it does something to you."
The Independent (UK) 06/27/09
June 26, 2009
Dance Legacy - Michael Jackson Redefined Pop Star Dance "No one has yet to recapture the impossible suaveness and otherworldly nimbleness of Jackson as a dancer -- the Moonwalk completely rewrote the book on male sexuality in music, a move that evoked both deep-space androids and the rakish seducers of the old myths."
Los Angeles Times 06/26/09
June 25, 2009
NY Public Library Goes Backstage At The Ballets Russes "While visitors to the NYPL [exhibit] will not see Nijinsky dance, they can see the famous diary he kept as he was going mad. Brilliant set and costume designs by Leon Bakst and Natalia Goncharova, plus photographs, musical manuscripts and old BBC films, place the Ballets Russes' achievement in context, supplying a perspective that the theatergoers who flocked to its productions never had."
The Star-Ledger (New Jersey) 06/25/09
That Lagerfeld Dying Swan Tutu? It Sank Its Ballerina. "It takes a lot to make English National Ballet principal dancer Elena Glurdjidze look awkward, but designer Karl Lagerfeld managed it last week.
Despite superficial points in common, the fashion designer is not the ballerina's natural ally."
The Observer (UK) 06/21/09
June 24, 2009
W Magazine 06/23/09
Yvonne Rainer To Take Stage For First Time Since 2007 "The news in L.A.'s dance world this week has been the West Coast premiere of works by choreographer Yvonne Rainer. But today's bigger news is that when Rainer's 'RoS Indexical' and 'Spiraling Down' are performed at REDCAT on Thursday through Sunday, the esteemed 74-year-old will be on stage as well."
Los Angeles Times 06/23/09
June 23, 2009
Moscow International Ballet Competition Declines To Award Grand Prize Gold medals were given in men's and women's solo (to Vladimir Shklyarov and Maria Semeniachenko) and duet categories as well as for choreography (to Yury Smelakov). Yet "no single dancer was deemed impressive enough to win the Marina Semyonova grand prix - the competition is dedicated to the legendary Russian dancer - and the $10,000 cash prize that goes along with it."
Moscow Times 06/24/09
Monsters and Critics (Asia-Pacific News) 06/23/09
Dance Archives Are Helpful, But Balletic Tradition Is Crucial "The choreographer Siobhan Davies has just announced that she is creating Britain's first digital archive for dance, which will contain films, images, notes and texts relating to her work, dating back to 1977. It will be very useful, of course. But the most vital mode of transmission is human memory...."
The Telegraph (UK) 06/22/09
June 22, 2009
National, Royal Winnipeg Ballets To Share Olympic Stage "The National Ballet of Canada and the Royal Winnipeg Ballet will share a stage in Vancouver next February as part of the cultural Olympiad accompanying the Vancouver 2010 Olympics. The Olympic ballet gala, featuring contemporary dance from the two classical ballet companies, is one of 35 new arts projects announced Monday by Vancouver 2010 organizers."
CBC 06/22/09
June 21, 2009
Frederick Ashton Ballets In Peril "Choreography is the most fragile of art forms. The Balanchine repertory was lucky in that, within a few years of his death the Balanchine Trust was established to supervise stagings. But the Ashton repertory is in more perilous condition."
The New York Times 06/21/09
A Dance Radical Picks Up The Conversation, Decades Later "Back in the early 1970s, Yvonne Rainer was in the midst of a transition from postmodern dance maker to experimental film auteur. She still had all kinds of ideas for new dances, but she would jokingly send them to her friend, the choreographer Trisha Brown, instead of realizing them herself. It has only been in the last decade, after a request from a stellar admirer, that Rainer returned to dance, and now, at age 74, she finds herself firmly in the throes of her first artistic love."
Los Angeles Times 06/21/09
June 18, 2009
Oregon Ballet Theater Exceeds Its Fundraising Goal "After a furious three-week fundraising effort that included a spectacular gala performance last week, the ballet announced that it has surpassed its $750,000 needed to guarantee that it could continue beyond June 30. By the end of the day Wednesday, the company had raised $853,271."
The Oregonian (Portland) 06/18/09
More Success: Texas Ballet Theater Is Back In The Black "With less than two weeks remaining before the end of its current fiscal year, the Texas Ballet Theater has reached its fundraising goal of $2 million dollars - the total that it said was needed over the last six months in order to give the financially strapped company renewed stability as it plans for the upcoming 2009-2010 [season]."
Fort Worth Star-Telegram 06/18/09
In South Africa, A New Dance Company Is Actually Turning A Profit "In a few months Bovim Ballet, which ends its current five-city national tour at Gold Reef City this week, has certainly proved a point. After premiering at Artscape in January and having had a sold-out season at Oude Libertas in Stellenbosch, South Africa's newest classically-based dance company has not only been surviving on box office, but making a neat profit."
Tonight (South Africa) 06/16/09
June 17, 2009
The Ballets Russes Return To The Scene Of That Historic Riot "On Friday night [at the Théâtre des Champs-Elysées], in a culmination of years of diplomatic and artistic negotiation, the curtain will be lifted on four of the works that helped make the dance troupe's name." The program includes "two of the company's best-known ballets,
Scheherazade and Ravel's
Bolero, alongside two 1912 works which were largely forgotten about after Diaghilev's death in 1929."
The Guardian (UK) 06/17/09
June 16, 2009
Metz Opera House Considers Dissolving Its Ballet Authorities in the northwest French city have announced a plan to close the 12-dancer company in two years. "The Opéra-théâtre de Metz
is one of the last in France that maintains a ballet [troupe] dedicated solely to accompany the operas or operettas in its repertoire."
Agence France-Presse 06/11/09 (in French)
Troubled Oregon Ballet Theatre Nears Fund-Raising Goal "A special all-dance benefit has raised approximately $710,000 for the financially troubled Oregon Ballet Theater. ... The ballet has until the end of its fiscal year, June 30, to raise the $750,000 it needs to close a funding gap caused by a dramatic reduction in donations and a series of Christmas-time storms that decimated crowds for its most important production, 'The Nutcracker.'"
Portland Business Journal 06/15/09
June 15, 2009
New Leader For Hubbard Street Dance "In a move signaling continuity, Hubbard Street Dance Chicago on Wednesday promoted staff member Glenn Edgerton to the role of artistic director, the third person to hold the title in the troupe's 32-year history."
Chicago Tribune 06/11/09
June 14, 2009
The Australian 06/24/09
June 11, 2009
Rasta Thomas And His Bad Boys of Dance "Thomas takes the refinement and technique of his ballet forbears
and mixes it up with pop, rock and hip-hop, unapologetically shoving ballet into the 21st century. [
] Thomas's eclectic program looks nothing like your grandmother's night at the ballet. One number features blow-up dolls."
Washington Post 06/12/09
'World Cup Of Ballet' Underway At Bolshoi "Held every four years since 1969, this is the 11th International Moscow Ballet Competition and about 120 of the top aspiring ballet dancers from across the world are in competition for the gold medals."
Reuters 06/11/09
June 10, 2009
Colleagues Race To Aid Oregon Ballet Theatre The company, which needs to raise $750,000 by the end of this month to avoid the risk of closure, has put together a major benefit, with top dancers from the likes of New York City Ballet, San Francisco Ballet and Pacific Northwest Ballet, in record time - and with virtually zero in out-of-pocket costs. "Jon Ulsh (OBT's executive director) woke up one morning with the idea
and the next morning we were lining up companies."
The Oregonian (Portland) 06/06/09
The Oregonian (Portland) 06/10/09
June 9, 2009
Merce Settles The Future For His Company And His Dances "He has decided that when he dies, or when the right time comes, the Merce Cunningham Dance Company will embark on a final two-year international tour and then shut down
Meanwhile, Cunningham associates will prepare detailed records of the dances so they can be licensed and given authentic productions by other companies."
New York Times 06/10/09
The Late Tanja Liedtke Is Top Winner At Australian Dance Awards The former director-designate of Sydney Dance Company, who was killed in a road accident just weeks before taking up her post, took honors for outstanding achievement in choreography and outstanding achievement in independent dance for her 2007 piece
construct, which also received an award for outstanding performance by a female dancer (Kristina Chan).
The Australian 06/08/09
The Guardian (UK) 06/09/09
Brooklyn Ballet To Open Its Downtown Digs "The Brooklyn Ballet will officially open its new headquarters on June 16 on the ground floor of the Schermerhorn House, the company announced on Monday. The 11-story building in downtown Brooklyn, which also houses low income artists and the formerly homeless, is a collaboration between a real estate development company and a nonprofit affordable housing project."
The New York Times 06/09/09
June 7, 2009
The Science Of Dance (Can You Tell?) "Readers were asked to pick which of four scientific articles was being depicted in a dance (you can watch the performance again here). The good news is that 54 percent of Lab readers correctly guessed that the dance, which was professionally choreographed (by Jinn Liang Chaboud) and performed, was an interpretation of a study of DNA polymerase salt kinetics by Vince LiCata of Louisiana State University."
The New York Times 06/07/09
Portrait Of A New ABT Principal Dancer Veronika Part, "with creamy skin, high cheekbones and flashing dark eyes, possesses an Old World glamour reminiscent of Ava Gardner. She isn't a wispy sort of ballerina, but a womanly one. Tall and naturally suited to adagio roles that highlight slow développé extensions and a luscious upper body, Ms. Part can also leap like a gazelle."
The New York Times 06/07/09
June 4, 2009
Ballet BC Parts Ways With Artistic Director John Alleyne "[H]e and the Ballet BC board came to a joint decision not to renew his contract when it ends June 30. Questions remain about the terms under which he is leaving, including whether he'll receive a severance payout. The decision is part of a major restructuring plan that will leave the province without its flagship dance company during the 2010 Olympic Games."
Vancouver Sun 06/05/09