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Admission Revision: Metropolitan Museum Raises Eyebrows with Mandatory Fees for Non-New Yorkers

Were it not for my free-admission press pass, I'd be personally affected and affronted by the Metropolitan Museum's new admissions policy. I'd feel as if a longtime lover had jilted me. As a Bronx native who grew up roaming the Met, I took full advantage of what used to be free access for all. As current residents of Fort Lee, NJ, my neighbors and I live closer to the Met's three facilities (Fifth Avenue, Breuer, the Cloisters) than do most NYC residents of the outer boroughs, who can continue to pay whatever they choose when they enter the … [Read more...]

More on La Salle’s Sales: My Revealing Q&A with the University’s Spokesperson

More on this here and here. La Salle University's website provides surprisingly scant information about its astonishing plan under a relatively new president to dispatch to Christie's some 46 objects from its museum's collection to raise funds for non-museum activities. Here's the brief blurb about the planned disposal on the museum's webpage: In January 2018, La Salle University announced a decision by the Board of Trustees to deaccession 46 artworks. To see the full list of artworks, click here. That's it. There's no press release … [Read more...]

The Berkshire Museum Effect? La Salle University to Sell 46 Works from Its Museum

I'm sick of doing deaccession stories. But here we go again: Following in the stumbling footsteps of the Berkshire Museum, La Salle University, Philadelphia, has announced plans to sell some 46 works from its collection of more than 5,000 objects. The proceeds will "help fund teaching and learning initiatives in its new strategic plan," as reported by Susan Snyder and Stephan Salisbury in the Philadelphia Inquirer. In other words, the use of the proceeds will run contrary to professional guidelines for museums, which say that deaccession … [Read more...]

The Year in CultureGrrl: Kicking the “*!%&@” Out of Plan B (for “Blog”)

For me, 2017 was a year of transition: It marked the end of my decades-long run as a freelancer for the Wall Street Journal, precipitated by my having openly expressed unhappiness with the cutbacks in its superlative arts coverage, which I was proud to be part of. Disinclined to scramble for assignments in my grandparent stage of life (with three new family members so far), I decided, after two unsuccessful article queries, to take a page from Sheryl Sandberg. In her recent book about facing adversity far more serious than a mere editorial … [Read more...]

A Plenitude of Nudes: Drawn to Michelangelo’s Musclemen at the Met

"This drawing is the reason why I’m a curator at the Met," Carmen Bambach confided during a victory lap around her masterpiece marathon---Michelangelo: Divine Draftsman and Designer (to Feb. 12). She told me she had joined the Metropolitan Museum's staff because doing so gave her "extraordinary access" to its sheet of studies for a figure on the Vatican's Sistine Ceiling, exquisitely executed in red chalk, which she treasures as "the most beautiful drawing in America": For three magical months, America's "most beautiful drawing" is … [Read more...]

Wanna Pay $125 to See Two Shows at the Met? Now You Can!

"Have you dreamed of getting VIP treatment at The Met?...Now you can." That sounds like a quip I've used repeatedly on CultureGrrl. But the Metropolitan Museum is dead serious: If you wanna be a Met VIP, it'll cost you---$125 per "adult," defined (below) as ages 0-99. (I guess that discourages you from bringing the kids.) Here's the dubious deal: Exclusive access to The Met exhibits “Michelangelo: Divine Draftsman and Designer” and “David Hockney" after hours. Complimentary audio guide (Available in English only). Next day admission … [Read more...]

Time to Rethink: Court Extends Injunction Preventing Berkshire Museum Disposals

It's time for the Berkshire Museum to face reality: Its pursuit of easy money through art disposals has backfired, devolving into a litigation exhibition with no end date, costly to both its reputation and what's left of its financial wherewithal. In a two-sentence notice filed today, Massachusetts Appeals Court Judge Joseph Trainor disregarded the surprising request by the museum's lawyers that proceedings to determine the legality of the museum's planned art sales at Sotheby's be allowed continue in the lower court, even while the … [Read more...]

More “Mundi” Conundrums: Exactly Who Paid the Leonardo’s Princely Price (and why)?

In my Friday post about those said to have "acquired" the $450.3-million Leonardo da Vinci, I suggested that the convoluted "Salvator Mundi" story was still developing and hard to predict. Sure enough, a mere two hours after my post appeared, Kelly Crow and Summer Said of the Wall Street Journal added a new twist: The Leonardo da Vinci painting acquired for $450.3 million by Saudi Arabia’s crown prince [Mohammed bin Salman] will be displayed at the Louvre Abu Dhabi museum—a gift from Saudi Arabia to the United Arab Emirates [emphasis added] … [Read more...]

Deal Revealed: Berkshire Museum Makes Public Its Consignment Agreement with Sotheby’s UPDATED

In a court filing today that made public previously impounded documents, the Berkshire Museum provided an inside look at auction-house/consignor dealings that are usually confidential. The filing includes the text of the agreement wherein the museum consigned for auction 40 works from its collection that were to be sold in a series of (now postponed) sales. (The consignment agreement is slightly redacted "to protect a trade secret of...Sotheby's.") On Nov. 29, the Berkshire Eagle's lawyers had filed an emergency motion asking the … [Read more...]

“Mundi” Conundrum: Latest Head-Spinning Chapter in Tangled Trajectory of Leonardo’s “Salvator Mundi”

Another bizarre twist has been added the convoluted tale of the modern odyssey of Leonardo da Vinci's "Salvator Mundi," bought anonymously at Christie's on Nov. 15 for $450.3 million. The latest news, posted today on Christie's website, is this: And here's this morning's tweet from the Louvre Abu Dhabi: Louvre Abu Dhabi is looking forward to displaying the Salvator Mundi by Leonardo Da Vinci. The work was acquired by the Department of Culture and Tourism - Abu Dhabi for the museum. ⠀⠀⠀⠀⠀ Photo: Kirsty Wigglesworth/ AP … [Read more...]

Attorney General Asks to Extend Preliminary Injunction Preventing Berkshire Museum Sales

The legal jousting in the Berkshire Museum case continues: The State Attorney General's Office has filed a new motion in Massachusetts Appeals Court, seeking "to extend the current injunction and stay until Jan. 29, 2018." The AGO says it is still waiting for a complete response to its request for a wide variety of documents that are listed in two letters to the museum's lawyers (Exhibits 1 and 2 in the above-linked filing). Judge Joseph Trainor's preliminary injunction, issued Nov. 10, prohibited the museum from disposing of any of the … [Read more...]

“Essential Personnel”: My Q&A with Getty’s Communications VP on the Approaching Wildfires UPDATED

With the area's surrounding streets and nearby freeway closed to traffic due to rapidly spreading wildfires that are approaching (but so far have not reached) the Getty Center, the Getty today is staffed by only "essential personnel"---mainly its security staff. But Ron Hartwig, the J. Paul Getty Trust's veteran vice president for communications, intrepidly reported for duty against considerable odds, to respond to queries about an emergency situation that has already claimed nearby homes but has so far spared the Getty. (Patricia Woodworth, … [Read more...]

Playing with Wildfire: Getty Museum Closed Due to Smoke in the Region

I sometimes worry about housing some of the world's greatest cultural treasures (including those from major loan shows) in a building that's located on a fault line (prompting special precautions in how objects are installed), and in an area that has been prone to wildfires. Speaking of which, this just in from the Getty Museum's Twitter feed: Due to continuing smoke from fires in the region, the Getty Center and Getty Villa will remain closed to visitors tomorrow, Wednesday, Dec. 6, 2017. — J. Paul Getty … [Read more...]

Unsettled at the Met: Breuer Building, Southwest Wing, Director’s Search

With the benefit of hindsight, it seems obvious that the Metropolitan Museum, under Tom Campbell's directorship, got way ahead of itself in making ambitious plans to undertake a $600,000 makeover of its Southwest Wing for modern and contemporary art and to assume (for at least eight years) the operation and programming of a large additional facility---the former home of the Whitney Museum (now "the Met Breuer"). The negative impact of these miscalculations could complicate the search for what the Met needs most of all---a highly … [Read more...]

Beggar Blogger: Please Support CultureGrrl UPDATED

UPDATE 11/30: For some reason, my "Donate" button stopped working earlier today, which I discovered after wondering why last night's flood of responses (thanks so much!) had stopped cold today. ArtsJournal's tech gurus have now vanquished the gremlins. If your attempt contribute was thwarted, please try again (after reloading my blog page). Since losing my decades-long Wall Street Journal freelance gig at the end of last year (after expressing my dismay over the WSJ's reduction in art coverage), I've been focusing on my CultureGrrl commentary … [Read more...]

Dan’s Plans, Redrafted: Revelations in Metropolitan Museum’s FY17 Annual Report CLARIFIED & CORRECTED

In her recent NY Times piece, Robin Pogrebin provided an upbeat assessment of the Metropolitan Museum's financial progress, as conveyed to her by president and CEO Daniel Weiss in a wide-ranging interview. Arriving as president in July 2015 with a mandate to clean up the Met Mess, Weiss expanded his portfolio after the departure of director Tom Campbell, who had left the place in financial disarray. But a close look at the financials in the Met's recently published Annual Report for fiscal 2017 (ended June 30) suggests that it's … [Read more...]

False Dichotomy: Boston Globe’s Deaccession-or-Die Editorial on the Berkshire Museum UPDATED

With surprising disregard for the facts, the Boston Globe's editorial writers yesterday flatly (and wrongly) asserted that the Berkshire Museum needs to sell "40 of the museum’s most valuable works" in order to "remain viable." There's no excuse for this ill-informed take on the controversy over the museum's deplorable deaccessions, given the exhaustive examination of the issues and options in the press and in the courts. (For additional information and perspective, see my 24-and-counting CultureGrrl posts, linked here.) The Globe's … [Read more...]

“Sotheby’s Drudgery”: My Storify on a Contemporary Art Sale Short on Excitement

Last night's Contemporary Art sale at Christie's, headlined by a certain very non-contemporary religious painting, was a hard act for Sotheby's to follow. It did interpose its own anomalous lot to jazz things up---a red Ferrari. For the most part, though, the offerings tonight were less than spectacular and the bidding was mostly slow. The action was more lively for the newer artists than for the same old auction stalwarts. Here's my Twitter account of the action (and inaction) at Sotheby's Contemporary sale: [View the story "Sotheby's … [Read more...]

Did Ken Griffin Buy the Leonardo (or provide $$$ for Art Institute of Chicago to acquire it)? UPDATED

While we're all still coming to terms with the fact that a damaged 26" x 18" oil-on-walnut painted panel has just sold for $450.3 million, here's a potential scoop that is based on some data, intuition, circumstantial evidence and my attempt to get confirmation: I have reason to believe that Kenneth Griffin, the Chicago hedge fund mogul, may have bankrolled yesterday's Leonardo purchase. Here's why: I noticed today that my blog post (linked at the top of this post) about last night's auction of Leonardo da Vinci's "Salvator Mundi" … [Read more...]

“Ballsy Bidding”: My Storify on Leonardo’s (& Christie’s) $450-Million Jesus Superstar

That surely wasn't the Getty or any other public (as opposed to single-collector) museum who plunked down a jaw-dropping $450-million after a dramatic 19-minute bidding war, the likes of which I've never seen, to acquire Leonardo da Vinci's damaged but still mesmerizing "Salvator Mundi." The bidding lurched from steady, small increments to vertiginous jumps, as the vying gazillionaires tried to pummel each other into submission. We still don't know (if we ever will) who won. The wild ride finally stopped at a satisfyingly round $400 … [Read more...]

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