Barnes Foundation Sets Opening Date in Philadelphia
Shattered Legacy: The Barnes Foundation's fragmented new logo, unveiled on its new website
At a press conference yesterday, the Barnes Foundation announced that it would open its new Philadelphia facility to the public on May 19. It has also launched a new website.
Advance reservations to visit the museum will be accepted beginning Mar. 1. Members can reserve beginning Feb. 1 and get free admission (after paying the membership fee---a minimum of $90). There will be an additional charge for parking in the Barnes' lot.
What will be the admission fee for non-members? The website doesn't say. But for groups of 15 to 75, the price will be $20 per head. Adult admission to the nearby encyclopedic Philadelphia Museum of Art is currently $16.
As for future special exhibitions, all that the Barnes' website currently says is this:
Special exhibitions, including presentations of contemporary and non-Western art, will add a new dimension to visiting the Barnes Foundation, when its new building opens on the Parkway in Philadelphia. Albert Barnes collected some of the most radical art of his time, and the Barnes will honor that legacy [emphasis added] and reflect the breadth of his collections in its exhibition program.Meanwhile, a decision is still pending in Montgomery County Orphans' Court on the desperation lawsuit to stop the Barnes from moving to Philly from its longtime home---the mansion in Merion, where its founder, Albert Barnes, had explicitly stipulated that his collection should always remain. (So much for "honoring his legacy.")
If I learn more about general admission prices, exhibition plans or anything else of interest, I'll update here.
September 16, 2011 12:17 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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