Martin Sullivan and Me: Our "Hide/Seek" Panel Discussion, Now Online
Got an hour and 40 minutes?
Then you can watch the video, below, of our entire panel discussion earlier this month at Rutgers University---Hide/Seek: Museums, Ethics and the Press---which may prove to have been more deeply informative, more freewheeling and certainly more relaxed than the Smithsonian's "Hide/Seek" marathon will be next week, when panels consisting largely of Smithsonian personnel will be speaking under the eyes of their institution's top brass. Our outspoken five-person panel (plus our deeply informed moderator) pondered the fine points, not just the "Flashpoints" (as the upcoming Washington conclave is titled).
The auditorium on the Newark, NJ, campus of Rutgers was a haven for making both large statements and subtle distinctions, while puzzling through the ethical and practical quandaries posed by the controversial Smithsonian show and gleaning the lessons to be learned from it. It was a place for thought, rather than a platform for polemics or posturing.
I'm very grateful to Sally Yerkovich, project director for the Institute of Museum Ethics (IME), Seton Hall University, for bringing together this insightful group and for inviting me to join in. (You'll see Sally introducing us at the beginning of the video.) At a time when fractious politics and serious financial constraints are putting a greater strain then ever on the tenets of museum ethics, the IME is an idea whose time has come.
Seated from left to right, below, you will see and hear: Moderator Daniel Okrent, author, journalist, former chairman of National Portrait Gallery's board; Martin Sullivan, director, National Portrait Gallery; W. King Mott, associate professor of political science (specializing in queer theory), Seton Hall University; Lee Rosenbaum (who needs no introduction to CultureGrrl readers); Abe Zakhem, associate professor of philosophy, Seton Hall; Father Gregory Waldrop, SJ, assistant professor of art history, Fordham University.
I've already excerpted some of Sullivan's comments, here. Now sit back and enjoy the unexpurgated version:
Then you can watch the video, below, of our entire panel discussion earlier this month at Rutgers University---Hide/Seek: Museums, Ethics and the Press---which may prove to have been more deeply informative, more freewheeling and certainly more relaxed than the Smithsonian's "Hide/Seek" marathon will be next week, when panels consisting largely of Smithsonian personnel will be speaking under the eyes of their institution's top brass. Our outspoken five-person panel (plus our deeply informed moderator) pondered the fine points, not just the "Flashpoints" (as the upcoming Washington conclave is titled).
The auditorium on the Newark, NJ, campus of Rutgers was a haven for making both large statements and subtle distinctions, while puzzling through the ethical and practical quandaries posed by the controversial Smithsonian show and gleaning the lessons to be learned from it. It was a place for thought, rather than a platform for polemics or posturing.
I'm very grateful to Sally Yerkovich, project director for the Institute of Museum Ethics (IME), Seton Hall University, for bringing together this insightful group and for inviting me to join in. (You'll see Sally introducing us at the beginning of the video.) At a time when fractious politics and serious financial constraints are putting a greater strain then ever on the tenets of museum ethics, the IME is an idea whose time has come.
Seated from left to right, below, you will see and hear: Moderator Daniel Okrent, author, journalist, former chairman of National Portrait Gallery's board; Martin Sullivan, director, National Portrait Gallery; W. King Mott, associate professor of political science (specializing in queer theory), Seton Hall University; Lee Rosenbaum (who needs no introduction to CultureGrrl readers); Abe Zakhem, associate professor of philosophy, Seton Hall; Father Gregory Waldrop, SJ, assistant professor of art history, Fordham University.
I've already excerpted some of Sullivan's comments, here. Now sit back and enjoy the unexpurgated version:
April 22, 2011 12:12 PM
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CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."

Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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CONTACT ME
Write to me here.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
My YouTube Channel
FIND ME ON
FOLLOW ME ON
________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
more
CONTACT ME
Write to me here.
more
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