CNN Report Casts Doubt on Hawass Resignation

Zahi Hawass
Maybe my headline yesterday should have read:
Zahi Hawass Resigns (or maybe not)CNN today reports [via]:
Egypt's antiquities minister, Zahi Hawass, said Friday he plans to step down to protest police inaction as the country's ancient treasures are being looted and vandalized....These mixed messages, especially in light of the controversy swirling around Hawass, sound a bit like, "You can't fire me. I quit!"
Hawass said he has not resigned yet but will if asked by new Prime Minister Essam Sharaf. Sharaf...is in the process of forming a new Cabinet. Hawass said he does not intend to be a part of it."I have no interest in doing that at all," he said.
Instead of protesting police inaction, Hawass should have proactively sought help from international organizations that might have provided more effective assistance.
In this regard, Thomas Campbell, director of the Metropolitan Museum, issued a statement yesterday that concluded:
The world cannot sit by [emphasis added] and permit unchecked anarchy to jeopardize the cultural heritage of one of the world's oldest, greatest, and most inspiring civilizations. We echo the voices of all concerned citizens of the globe in imploring Egypt's new government authorities, in building the nation's future, to protect its precious past. Action needs to be taken immediately.He doesn't specify what form that action should take. I have a query in to the Met. Perhaps we shall soon learn more.
Close upon yesterday's release by Hawass of a far more extensive list of archaeological site depredations than had previously been acknowledged, Judith Dobrzynski on her Real Clear Arts posted another list, which had been leaked to her, of additional objects said to be missing from the Egyptian Museum. Judith noted that she was unable to confirm the accuracy of list, but stated that it came "through a chain of reliable sources." Margaret Maitland in her Eloquent Peasant blog (herself also a usually reliable source) wrote that she had "heard from other channels that the source [of the list] is trustworthy."
But a commenter on Maitland's post, self-identified only as "A.H.," criticized the list as "unsourced" and "unsubstantiated" and added:
I've seen that email with the list, Margaret, and it is so "reliable" [my quotation marks, not the writer's] it accuses America and the National Geographic of having a hand in the looting. It is such a "reliable source" [again my quotes] that the person doesn't give his or her name. It was clearly written by someone with a grudge.That comment, also anonymous, may well have been written by a Hawass adherent.
Whatever the reliability of that list, the ham-fisted handling of the depredations inside the Egyptian Museum joins a long list of Zahi Hawass self-contradictions: In his Feb. 12 report on objects missing from the museum, he described it as the database department's "report on the inventory of objects." He said nothing about that report's being merely preliminary. On Feb. 23 he reported for the first time that "the museum's collections management and documentation team continues to work with the curators to complete their inventory, so that we can finalize the list of missing objects and concentrate on getting everything back as soon as possible."
And now we are getting indications that more missing objects may indeed have been identified, but are not being officially announced. If that's the case, there is no excuse for withholding that important information. The public and the Egyptology community need to know.
As I've repeatedly asserted, we need to stop the rumors and discourage possible illicit trade with the authoritative publication of a complete list of missing objects with high-quality photos. This needs to happen not some time in the future but yesterday.
And whatever the veracity or lack thereof of the various charges leveled against Hawass during this difficult period of governmental transition, Egypt needs someone of greater candor, credibility and accountability to take charge of its tragic antiquities mess.
March 4, 2011 12:48 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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