Wanna See Jasper Johns Getting the Presidential Medal of Freedom?

Jasper Johns, one of 15 honorees receiving the Presidential Medal of Freedom yesterday. (Former President George H.W. Bush, seated at the right, fiddles with his newly conferred medal.)
To see Pop artist Jasper Johns get medaled, go to the White House video and scroll to the 27-minute mark (right after the awarding of a medal to frail-looking former President George H.W. Bush).
Here's what President Obama said yesterday afternoon about Johns (at the 6:08-minute mark):
It has been noted that Jasper Johns' work, playing off familiar images, have transfixed people around the world. Historians will tell you that he helped usher in the artistic movements that would define the latter half of the 20th century. Many would say he is one of the greatest artists of our time. And yet, of his own efforts he has simply said, "I'm just trying to find a way to make pictures." Just trying to find a way to make pictures.Here's the official citation, intoned by a military aide at the 27-minute mark in the video, right before the President fastened the medal (with some difficulty) around the artist's neck:
Like great artists before him, Jasper Johns pushed the boundaries of what art could be and challenged others to test their own assumptions. He didn't do it for fame, he didn't do it for success---although he earned both. As he said, "I assumed that everything would lead to complete failure, but I decided that it didn't matter---that would be my life." We are richer as a society because it was. And Jasper, you've turned out fine.
Bold and iconic, the work of Jasper Johns has left lasting impressions on countless Americans. With nontraditional materials and methods, he has explored themes of identity, perception and patriotism [emphasis added]. By asking us to reexamine the familiar, his work has sparked the minds of creative thinkers around the world. Jasper Johns' innovative creations helped shape the Pop, Minimal and Conceptual art movements, and the United States honors him for his profound influence on generations of artists."Patriotism"?
I'm not sure that's exactly what the iconoclastic Johns had in mind when he appropriated the iconic image of the American flag.
Here's how the late Kirk Varnedoe, former chief curator of painting and sculpture at the Museum of Modern Art (who organized MoMA's 1996 Johns retrospective), described a Johns "Flag" in his final book, Pictures of Nothing---"coolly detached, diffident, suffused with irony---an impassive presentation of commonplace things."
That's more like it.

Johns, "Three Flags," 1958, Whitney Museum
February 16, 2011 12:28 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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