News Flash: Detailed Firsthand Report About Saqqara Looting UPDATED

The area of concern at Saqqara: A) Tourist entrance to Djoser Heb Sed Court; B) Pyramid of Unas; C) Unas Causeway; D) Maya (Treasurer); E) Horemheb (as a general---pharaonic tomb)
Photo and caption from Restore + Save the Egyptian Museum! on Facebook
The non-Egyptian Egyptologist who had sent me this BlogBack has just fowarded to me an eyewitness account from a member of a French archaeological expedition in Egypt about the antiquities situation at Saqqara. This on-the-ground description is from a reliable source and is currently circulating widely among Egyptologists.
I know the identity of the French writer but have decided not to publish his name without his explicit permission (although I suspect that others may do so). Egyptian antiquities chief Zahi Hawass has repeatedly asserted that there has been no damage to the monuments at Saqqara.
UPDATE: In his Feb. 5 post on his website, Hawass said this about Saqqara:
The tomb of Maia in Saqqara is safe. Reports that it, and other tombs such as those belonging to the Two Brothers, Mereruka and Tiye, had been damaged were proven inaccurate when I sent Dr. Sabri Abdel Aziz, the Head of the Pharaonic Sector of the Ministry of Antiquities, to check them. Dr. Sabri confirmed that the tomb of Maia has not suffered any type of damage, nor did any other tomb in Saqqara suffer any damage. I believe this is because the tombs are very dark at night, and the looters, who were likely looking for gold, were frightened and ran away without causing any destruction.But the vivid, detailed firsthand account below tells another story. The report is long but important, so I am posting it in full (with emphasis added, to highlight various descriptions of destruction):
The French Archaeological Mission at Saqqara has just left Egypt yesterday and arrived safe today. As most of you are in lack of direct information concerning what happened there, I will try to tell you in brief what I saw.
On Saturday, the taftish [on-site officer from Egypt's Supreme Council of Antiquities] asked us to stop the work, because the police were not in the capacity of protecting us anymore. In the afternoon, we could see that the police at the police station at the entrance of the resthouses were gone and had left us alone. That is when it all began: Robbers from Saqqara and Abusir became aware of this and they began to spread in the gebel [mountainous desert].
The first afternoon and night, they mainly attacked places which were secured with locks. They broke them and went inside. Most of the time, they destroyed what they saw and not robbed anything, trying to find "treasures." These are not well organised robbers but, mainly, young people from 10 to 20, very probably looking for gold. That is why, when they saw blocks of stone, they most of the time left them, or destroyed them in order to find what was underneath.
I could see them with my eyes the day after, when we made a tour in the gebel with the army. Around 5 p.m., when the sun was still not down, at the Muslim cemetery of Abusir, I counted more than 200 young men, excavating in front of us, ready to flee if the army would come down. A tank of the army was there, but they kept on digging. The soldiers were not numerous enough to do anything else than showing they were here. And when we went back, they probably came back in the highs. They were laughing and throwing stones at us.
The taftish immediately locked all these places again, and, the day after, the lock was still there and the places were not entered anymore by the robbers: They had seen that there was nothing interesting for them here. Then, they began to excavate a little bit everywhere on the second day. You can see tens of small excavations everywhere, as if they worked for half an hour, and tried another place after. These were not "professional" robbers.
After three days, more and more soldiers arrived in Saqqara and secured more and more of the area. The worse days were Saturday and Sunday. It looks like the army is now securing most of the area, and they made clear that anyone taken would be taken to jail. Hope it works.
I mainly concentrated on the work of our mission, and could see they destroyed some parts of the walls with TP we found last year (trying to excavate under it), and made some holes in differents places, also destroying roofs of hidden magasines on the site, but not stealing anything, as far as we could see. They made big chaos in other places, in magasines containing coffins (always looking for treasures). They also robbed the modern material that looked interesting for them.
I know that Abusir has been very badly hit (Qar, etc.). I am not sure that the Maya rumor concerning destruction is real. (I haven't been there though.) What I can tell you is that they did not destroy exposed chapels of the New Kingdom excavated by the University of Cairo, which were at hand, but entered the magasines there (looking for something they never found). Once again, it looks like they were not interested by stones and reliefs. The Museum at Saqqara and the magasines there are safe; they were almost immediatly protected by the army, on Sunday.
Looking at the places where they "worked," it is the conviction of some friends---excavators that were there with me, of most inspectors, of raïs, of the Director Kamal Waheed himself, and myself---that some of the robbers are workers that we employ. We will have to think about this.
I also want to stress the fact that Saqqara and Abusir owe a great deal to all the people of the taftish, who did the best to assure the security of the area. I have seen many ghaffirs, frightened by the crowd of robbers but still trying to do something, and securing the museum and the magasines, organising by themselves some kind of police when the police had disappeared.
I have seen Inspector Ragab hurrying to protect the magasines, arriving just when the police departed and the chaos began on Saturday afternoon. I have seen Ustaz Sabri Farag, Mohamed Youssef and Mohamed Antar, going from one place to another to prevent destruction, for three days and three nights without interruption and without sleeping, guiding the army, enjoining the army to stop the depredations, touring in the gebel all the night. And there are certainly more, that I did not see but who did a great job these days.
February 4, 2011 3:40 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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