AG Defeat: Judge Nixes Frist/Fisk, Smiles on Crystal Bridges

Fisk's Monday prayer vigil for Alice Walton's millions
In a 31-page Memorandum and Order issued late yesterday afternoon, Davidson County Chancellor Ellen Hobbs Lyle handed a complete defeat to Tennessee Attorney General Robert Cooper, who had proposed a temporary arrangement to keep Fisk University's Stieglitz Collection full-time in Nashville, rather than half-time in Bentonville, AR, as is being sought by the university.
The AG's plan had been decried in a NewsChannel 5 interview by Fisk President Hazel O'Leary as "morally reprehensible." On Monday evening, the university held a prayer vigil at its Memorial Chapel to rally opposition against the plan that would temporarily relocate the art to Nashville's Frist Center for the Visual Arts, without providing the $30-million windfall that would accrue to Fisk from its collection-sharing deal with Alice Walton's planned Crystal Bridges Museum.
The AG, for his part, issued a statement yesterday, prior to Chancellor Lyle's ruling, which criticized Fisk for "seeking to divide the community with rhetoric and name calling."
Cooper added:
The only plan that would take this important collection away from Fisk University, its students, and the community is the one Fisk has proposed. In return for a bargain-basement price, Fisk would immediately hand over control of the art to a Delaware corporation for display in Arkansas and risk loss of the entire collection permanently.But Lyle regards the AG's "temporary fix" (as she called it) as "insufficient":
It appears that there is no long-term solution to keep the Collection in Nashville full-time.To my mind, the flaw in the court's logic is that the AG's plan WOULD keep the collection in Nashville full-time. The only thing temporary about the arrangement would be the artworks' sojourn at the Frist, which would display and maintain the collection until Fisk could resume custodianship. Fisk argues that it can, in fact, afford the cost of maintaining the art, but that it will cease to exist if it can't collect the $30-million from selling a half-share in the collection (which would contravene the written no-sale stipulation set forth by its donor, Georgia O'Keeffe).
Chancellor Lyle ruled:
It would not be in keeping...with the donor's intent to keep the Collection in Nashville at the cost of sacrificing the existence of Fisk University.The judge has ordered Fisk to come up with a modified deal with Crystal Bridges that would "eliminate potential divestment of a Nashville connection to the Collection." For example, under the current agreement, Crystal Bridges could lend money to Fisk to cover the university's share of collection-related expenses, but such loans would be "secured by a security interest in [Fisk's] undivided interest in the Collection," which could result in forfeiture of that interest to Crystal Bridges if the loan were not repaid.
Chancellor Lyle gave a detailed road map to Fisk's lawyers, drafting her own suggested wording for an agreement upon which she would look favorably.
Fisk's deadline for filing a modified agreement with Davidson County Chancery Court is Oct. 8. The AG's deadline for responding to Fisk's filing is Oct. 22. There has been no official comment at this writing by either side on yesterday's court order. Appealing to a higher court is an eventual option.
September 15, 2010 12:01 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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