Polaroid Auction Agreement: A Chuck Close Is Among 9 Works Removed from Sale UPDATED

PolarClose2.jpg
Withdrawn Lot: Chuck Close, "'5 C' (Self Portrait)," 1979, estimated at $50,000-70,000

An 11th-hour agreement has been reached between the seller---PBE Corporation---and some of the photographers whose images are being offered at Sotheby's four-session auction of works from the Polaroid Collection. The disposals begin today at 5 p.m. As part of the agreement (which former federal judge Sam Joyner and two other lawyers retained by the photographers helped to forge), nine works are being withdrawn from sale.

The highest-estimated withdrawn work (above) is by Chuck Close, who was the highest-profile critic of the sale. (It's the same close portrait that you saw behind Sotheby's photography specialist, Denise Bethel, in this CultureGrrl video.) Two other Close self portraits remain in the sale.

Sotheby's press office has released this statement regarding the agreement:

John Stoebner, trustee of PBE Corporation, which is the consignor of the Polaroid Collection, has confirmed that nine lots have been withdrawn from the upcoming sale of 482 lots of photographs from the Polaroid Collection at Sotheby's, to be held on June 21 and 22.

The withdrawn works will be reunited with the balance of the Polaroid Collection currently housed in Somerville, MA, and will further enhance its appeal. The Trustee will be working with Sotheby's and a representative of certain of the artists in the Polaroid Collection to try and find an institutional home for the remaining approximately 10,000 works in the Polaroid Collection.
Here's the list of the eight other works (in addition to the Close) that have been withdrawn from the sale (presale estimates in parentheses):

---Lot 145, Mary Ellen Mark, " Selected New York Portraits" ($8/12,000)

---Lot 154, Andy Warhol, "Martha Graham" ($2/3,000)

---Lot 170, Laurie Simmons, "Selected Photographs from The Education Project" ($4/6,000)

---Lot 218, Joel Meyerowitz, "Selected Images" ($1,500/2,500)

---Lot 223, Aaron Siskind, "Selected Mexican Portraits" ($1,500/2,500)

---Lot 234, William Wegman, "Selected Figure Studies." ($5/7,000)

---Lot 445, Various Photographers, "Selected Self-Portraits" ($2/3,000)

---Lot 462, Danny Lyon, "Selected Images" ($5/7,000)
UPDATE: The sale has now begun. Close's "9 Part Self Portrait," Lot 3, has made a mockery of its $50,000-70,000 presale estimate, going for a whopping hammer price of $240,000. It was the work that had introduced the presale exhibition:

Thumbnail image for PolarClose.jpg

Robert Rauschenberg's "Japanese Sky 1 (From the 'Bleacher' Series)," Lot 5, came close to Close, with a final bid of $220,000 (est. $40,000-60,000). But wait a minute! For reasons unexplained by Bethel, who is serving as auctioneer, the Rauschenberg was re-offered directly after the conclusion of bidding for the next lot. This time it fetched slightly less than before---$200,000.

So far, it looks like dealer Janet Borden may have been right when she told me back in February that the works in the same seemed "undervalued" by Sotheby's.
June 21, 2010 4:57 PM | |

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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.

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