Update on Crichton Cache at Christie’s: No Guarantees

Crichton.jpg
© Michael Crichton, photographed by Jonathan Exley

After I put CultureGrrl to bed for the weekend, I received the answers to questions that I had sent to Christie's regarding its upcoming sales of works from the estate of the late author Michael Crichton (discussed here: Christie's Beats Sotheby's in the Market-Share Game for 2009).

I had speculated in Friday's post about whether that consignment was part of what Christie's chief executive Ed Dolman was referring to when he recently told Bloomberg's Scott Reyburn that guarantees of prices to consignors would be "coming back" this year.

Sung-Hee Park, a Christie's spokesperson, said this to me about the Crichton consignment:

There are no guarantees on the [individual] works or the [entire] collection.
According to Park, the Crichton consignment consists of about 97 works---approximately 30 in the May evening contemporary sale; 48 grouped in their own section of the May day sale for less important contemporary works; 14 in the Apr. 26 prints sale; 5 in the Apr. 15 photographs sale.

The presale estimate for the entire collection is yet to be announced. In its Feb. 5 press release (no longer on the auction house's website) in which it announced the May sale of four works from the collection (prior to the more expansive press release about the Crichton consignment, dated Mar. 2), Christie's had put the estimates for those four highlights (by Johns, Rauschenberg, Lichtenstein and Picasso) at about $30 million.

Bloomberg's Philip Boroff, who wrote here about Sotheby's recent financial filings and its conference call with stock analysts, has another story today about the discussion during the conference call about the restoration of chief executive Bill Ruprecht's salary to its level prior to a voluntary pay cut that he took last year.

Speaking of executive compensation, this blog's CEO extends her warm thanks to CultureGrrl Repeat Donor 117 from Beacon, NY, who sent his contribution specifically in appreciation of this post on the legal battle over Barnes Foundation. (The donor has no connection with the Barnes, nor with the opponents who have legally challenged the move.)

If any of my recent (or future) posts resonate with you, a good way to show it would be by clicking that underused yellow button in my middle column. The classified ad below the "Donate" button has now run its course and will vanish today. Another good way to show your support would be to advertise those gallery shows that you keep telling me about in your e-mails.
March 8, 2010 11:53 AM | |

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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.

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About this Entry

This page contains a single entry by CultureGrrl published on March 8, 2010 11:53 AM.

Julián Zugazagoitia Named Nelson-Atkins Museum’s New Director UPDATED was the previous entry in this blog.

Back to the Future: From 2010 Whitney Biennial to 1912 Salon d’Automne is the next entry in this blog.

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