Reaccredited, Fisk Loses a Reason to Sell Art to Alice Walton

In its 2007 petition seeking court permission to sell a half-share of its Stieglitz Collection to Alice Walton's Crystal Bridges Museum, Fisk University gave the following (now outdated) justification for the proposed transaction:
If Fisk's current financial condition doesn't improve, there is a high likelihood that it may lose its accreditation. Fisk is accredited by the Southern Association of Colleges and Schools (SACS), which will review the University's accreditation status in 2009. In its current condition, Fisk will fail to satisfy the criteria established by SACS to establish financial viability.The petition goes on to enumerate all the dire misfortunes that would hobble or destroy Fisk if accreditation were lost, including the likelihood of being "forced to declare bankruptcy, and/or dramatically scale back or cease operations." The university asserted that it needed to accept Walton's $30-million offer to convince SACS of its financial viability.
That was 2007. Now, this just in from Fisk:
The Southern Association of Colleges and Schools (SACS) has reaffirmed the accreditation of Fisk University for 10 years.In reporting this welcome news, Jennifer Brooks of the Tennessean writes:
The university has struggled financially for years, but university officials say they see signs that things are looking up. Applications for enrollment at the historically black university rose from just 300 last year to more than 900 so far this year. Enrollment had dropped 10 percent this year, compared to 2008.In other Fisk financial news, the university last month announced that it would "receive the Historically Black Colleges and Universities Master's Degree Grant (Title VII) Award for $3 million from the United States Department of Education, to assist Fisk graduate students in obtaining advanced degrees in the natural and physical sciences, in disciplines in which African Americans are underrepresented."
Earlier this year, Fisk President Hazel O'Leary informed alumni that donations to the school had dropped 40 percent as the economy soured in 2008. O'Leary responded with a round of cutbacks that trimmed the university's budget by 15 percent this year.
Fisk's new Strategic Plan for 2009-2013 seems to bolster the case for full retention on campus of the Stieglitz Collection. On the plan's second page, Fisk boasts that it is "home of world-renowned...Stieglitz Collection of Modern Art...and other artistic treasures." On p. 4, the university asserts that one of the "key components of Fisk mission" is a "culturally rich environment."
Exactly.
Meanwhile, the Georgia O'Keeffe Museum's court appeal related to the Stieglitz Collection case is still pending. The museum maintains that if financial circumstances make it impossible for the university to comply with the conditions of O'Keeffe's donation, the collection that she bestowed upon Fisk should be forfeited to the Santa Fe museum, which says that it is "successor in interest" to O'Keeffe. A motion for permission to appeal the decision by the Tennessee Court of Appeals that the O'Keeffe Museum lacked legal standing is now before the state's Supreme Court.
If Fisk is still determined to do the Walton deal, the case returns to Davidson County Chancery Court for a determination of whether it can legally deviate from donor O'Keeffe's written instructions that Fisk "will not at any time sell or exchange any of the objects" from the Stieglitz Collection.
In that same court, Chancellor Ellen Hobbs Lyle issued a 2008 decision rejecting the half-share sale. But the Court of Appeals, in the same decision removing the O'Keeffe Museum from the case, rejected some of Chancellor Lyle's reasoning and said that the Walton deal might be permissible if strict compliance with O'Keeffe's conditions had (due to Fisk's serious financial difficulties) become impracticable or impossible.
I sent two e-mails requesting comment, on Monday and yesterday morning, to two Fisk press officers. I sent another e-mail early yesterday afternoon to the university's lawyer in this case. So far, no replies. What I asked is whether, in light of the SACS reaccreditation, Fisk's determination to pursue monetizing its collection has changed.
If I hear more, you'll hear more.
December 17, 2009 12:33 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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