"Recycle LACMA": Hilarious Send-Up of Deaccessioning, LA-Style

Don't just dispose of museum objects. Repurpose them!

That's the mischievously subversive concept behind Recycle LACMA, the parodic blog of Los Angeles-based artist Robert Fontenot. Here's the blog's description of his project:

On Jan. 14th, 2009 the Los Angeles County Museum of Art announced [link added] that it was deaccessioning more than 100 items from its costumes and textiles collection. Once carefully collected, catalogued, and cared for, these items have now been cast back out in to the world. What will happen to them? Like any other useless item, they will need to be recycled or disposed of.

At three separate auctions [Fontenot] purchased over 50 items deaccessioned by LACMA and is now trying to find new uses for these otherwise unwanted items.
The recycler proceeded to post images and descriptions of 16 LACMA cast-offs that he's taken apart ("the deconstruction process"), sliced, diced and stitched into more "useful" items. Each of his creations is embroidered with the accession number of the museum objects from which they were derived.

Here's one of my favorites---a paisley skirt...

LACMASkirt.jpg

...transformed into a playfully ironic LACMA banner with the title of the museum's current show of contemporary Korean art (letters cut from the skirt's pink tulle):

LACMAbann.jpg

Bloggin' Robert also includes commentary about deaccessioning practices, careening from the serious to the tongue-in-cheek, in posts titled Reduce, Reuse, Recycle. Here's my favorite Fontenot footnote:

It is important to mention that even those museums that do not deaccession, such as the Isabella Stewart Gardner Museum, can expect to lose a certain percentage of their collection to shrinkage. ["Shrinkage" link added.]
Please don't let my excerpts prevent you from savoring the whole thing. Gee, I wonder what he could have done with the Celia Cruz-owned window treatments that I deaccessioned when I moved into the Queen of Salsa's former apartment! I recycled them by giving them to a starstruck Cuban curtain hanger who arrived to install my own less elaborate decorating choices.

I only hope the celebrity drapes didn't get re-recycled on eBay!
July 21, 2009 6:36 PM | |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.

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MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on July 21, 2009 6:36 PM.

Serota and MacGregor: Why They Don’t Want to Direct U.S. Museums was the previous entry in this blog.

New Yorker’s Tom Campbell Profile: Met’s New Director Still an Enigma is the next entry in this blog.

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