Required Reading: Jerome Weeks Analysis of David Smiths Book on Federal Arts Support
Jerome Weeks, ArtsJournal's "Book Daddy"
This is too good (and too long) to be a mere blog post.
Inspired by David Smith's recent book, Money for Art: The Tangled Web of Art and Politics in American Democracy, ArtsJournal blogger Jerome Weeks and has posted a detailed, two-part meditation on the past and future of federal arts support that should be required reading for Rocco Landesman (scroll down) and anyone else concerned about the future of federal support for the arts.
While crediting the importance of Smith's illuminating account of the successes, failures and controversies involving the National Endowment for the Arts, Weeks (a veteran book critic and the arts producer/reporter for KERA, Dallas-Fort Worth's public radio and television outlet) comes out more squarely on the side of the cutting edge in the debate over whether public funds should go towards work that is popularly pleasing and accessible or that which is challenging and experimental. CultureGrrl agrees with Weeks (scroll down). Smith, a senior lecturer in history at Baylor University, seems more cautious and ambivalent, as demonstrated by his recent Op-Ed piece for the Dallas Morning News.
Weeks has made the case for a reenergized NEA more eloquently and thoughtfully than any commentators I've recently read on the subject. To read his posts, go here and here (and then go here). This essay needs to be picked up by a large-circulation, mainstream media publication. It's essential that Weeks' views be widely heard and heeded.
From all accounts (including his own), Landesman, President Obama's nominee for NEA's chairmanship, seems to be in the camp of those who don't believe that nonprofit arts groups should play it safe. The big unanswered question is whether he has the diplomatic skills to navigate the political shoals that led to the the destructive Culture Wars of the 1990s.
June 8, 2009 11:56 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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