Latest Round in the Elgin Marbles Battle: Greeks Reject British Offer

A 2008 mock-up of copies (left) of the Parthenon Marbles in the New Acropolis Museum
It's another skirmish in the Elgin Marble Wars, this coming almost a week before the June 20 opening of the New Acropolis Museum in Athens.
On Wednesday, British Museum spokeswoman Hannah Boulton reiterated on Greek Skai Radio an offer previously made by the museum's director, Neil MacGregor.
Agence France Presse reports
The museum could consider loaning the Marbles to Greece for three months. But Greece would have to recognise the museum's ownership rights to the sculptures, she [Boulton] said.The Greeks have previously expressed willingness to disregard the question of who owns what, so long as the British dispatched their portion for longterm display. Presumably a three-month loan doesn't qualify. It's also a ridiculously short stint, given the enormous cost and logistical challenges of such a monumental art-transport undertaking.
The new Greek culture minister, Antonis Samaras, appears to be taking a harder line than those who had said that the issue of legal ownership was less important than the marbles' presence in Athens. Samaras issued this statement in response to the latest British offer:
The government, as any other Greek government would have done in its place, is obliged to turn down the offer. This is because accepting it would legalise the snatching of the Marbles and the monument's carving-up 207 years ago.
Hard feelings aside, the British Museum has accepted an invitation to send a representative to the opening of the Bernard Tschumi-designed museum, where the top floor will display the Greek-owned Parthenon Marbles, leaving gaps where the London-based marbles belong in the frieze.
Here's what I then wrote about the installation plans for the marbles, which involved installing fake plaster replicas of the missing marbles in sequence with the authentic Athens-owned slabs:
The planners of the New Acropolis Museum had a brilliant idea for display of the Parthenon Marbles [leaving gaps for the missing marbles]. Then they improved upon it [installing replicas of the missing marbles, veiled with scrims]. Now they've ruined it.I don't know if they've rethought this, nor do I know whether the New Acropolis Museum at last has a director. Last time I asked, less than three months ago, I was told that the news of the director would be published on the museum's website at the time of the appointment. The museum's news page has not, at this writing, been updated since February.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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