Met 2.0: Philippe Ogles Etch-a-Sketch; Tom Wants You to Ape the Art
Remember my Don't Drop that Duccio! post, where I poked fun at the publicity image, below, of the Metropolitan Museum's then director, Philippe de Montebello, caressing the mega-million Duccio with his bare hands?
Well, now that the museum has initiated the "It's Time We Met" advertising campaign, it's time Philippe met Chris Canahui, who posted this photo on the museum's own Flickr page:
Well, now that the museum has initiated the "It's Time We Met" advertising campaign, it's time Philippe met Chris Canahui, who posted this photo on the museum's own Flickr page:
Photo by Chris Canahui
It's bad enough when tourists insist on standing in front of a masterpiece for souvenir photos, when you're actually trying to look at it. Have you ever attempted to gaze at the Museum of Modern Art's big Jackson Pollock on a weekend? It cannot be done:
I just hope no one at the Met is going to try to impersonate this:
If you follow the links from today's online NY Times piece by Carol Vogel about the Met's promotional contest for its Flickr-inspired advertising campaign, you will see that the photos favored by the Met's web talent scouts are those where visitors try to imitate the artworks. I just hope that competitors for the $250 prize don't start striking silly reenactment poses all over the Met. This could get really annoying:
Photo by Ellen WrightIt's bad enough when tourists insist on standing in front of a masterpiece for souvenir photos, when you're actually trying to look at it. Have you ever attempted to gaze at the Museum of Modern Art's big Jackson Pollock on a weekend? It cannot be done:
I just hope no one at the Met is going to try to impersonate this:
Mangaaka Power Figure (Nkisi N'Kondi), second half of 19th century
Democratic Republic of Congo or Angola, Chiloango River Region; Kongo
Democratic Republic of Congo or Angola, Chiloango River Region; Kongo
February 4, 2009 6:15 PM
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CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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