Budget Fudgit: Being the Getty Means Never Having to Say You Ran a Deficit

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And now, after a whole month of National Academy deaccessions, LA MOCA rescue plans, and reckless New Year's frivolity...we finally return to our regular programming:

You may remember that a couple of weeks ago, when we perused the Getty Trust's 2008 financials, we discovered that, unlike the statements for prior years, this year's account omitted both the amount of the deficit and amount of endowment money that was used to fund operations. I then promised that I'd report to you the amount of last year's deficit, "if and when I have that information."

Sorry. That's not going to happen. Here's the response that I received from Ron Hartwig, the Getty's vice president for communications:

For what ever reason, those preparing our financial statements in the past used to list an "operating deficit." Interestingly, your question last year triggered Patti [Patricia Woodworth, vice president, CFO and COO] to look into why this was happening, and we have now correctly removed that line.

The Getty does not have an operating deficit. This is because we are an operating trust and because we do not spend more than our Trustees authorize us to spend. That was true in FY '07 as well, which is why showing an operating deficit was not correct.

As Patti pointed out..., the only limit on expenditures is what our trustees impose, and they approve the level of expenditures reported in the financial statement, which includes revenue from all sources (e.g. endowment, parking, book store, food operations, publishing, etc.).

Going forward, you will not see "operating deficit" listed in our financial statements because a deficit doesn't exist.
That was certainly not my intended effect in reporting the deficit figure that did exist in last year's report. The incredible disappearing deficits, reported in the statements for 2007, 2006 and 2005, were $49.36 million, $18.29 million and $47.85 million, respectively.

It now appears that when it comes to spending down the endowment, anything goes, so long as the trustees say it's okay. Nonprofit art institutions customarily designate a fixed rate of annual endowment spending, and if they've got to kick in more than that to meet expenses, they call it a deficit. At the Getty (because it's an operating trust and not a 501(c)(3), according to Hartwig), it's called an expenditure authorized by the trustees.

That's not to say that the Getty is unconcerned about its eroding endowment, which declined some 30% since June 30, 2007: As I reported last month, it is instituting a job freeze and other cost reductions in an attempt to address the problem. Just don't call it a deficit.
January 5, 2009 12:00 AM | |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.

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MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
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Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on January 5, 2009 12:00 AM.

Laura Iris Blau: An Emerging Artist I’ve Known from (literally) Day One was the previous entry in this blog.

BlogBacks: Readers Speak Out on National Academy Deaccessions is the next entry in this blog.

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