AAMD Censures National Academy, Calls on Members to End Loans and Collaboration on Exhibitions

[More on this story here.]

This statement just in from the Association of Art Museum Directors, regarding the news, first reported by CultureGrrl, that the National Academy Museum had sold two masterworks to fund operations:

Art museums collect works of art for the benefit of present and future generations. The conservation, exhibition, and study of the collection are the heart of a museum's service to its community and to the public.

It is therefore a fundamental professional principle that works can only be deaccessioned to provide funds to acquire works of art and enhance a museum's collection. The Association of Art Museum Directors is deeply concerned to learn that the National Academy Museum has deaccessioned works of art from its collection to pay for operating expenses. Prior to this decision, AAMD contacted the National Academy in the hope that we could offer assistance in investigating alternatives to deaccessioning, and to support the museum in upholding the highest professional standards as it faces current challenges.

The National Academy is now breaching one of the most basic and important of AAMD's principles by treating its collection as a financial asset, rather than the cornerstone of research, exhibition, and public programming, a record of human creativity held in trust for people now and in the future.

In the notification of its decision to AAMD last evening, the National Academy voluntarily withdrew from membership in the organization. It is not, however, membership in AAMD per se, but rather a broader commitment to ethical museum practice that demands adherence to the principles governing deaccessioning. Therefore, we have no choice but to censure the National Academy for this action. Consistent with AAMD's Code of Ethics, we call on our members to suspend any loans of works of art to and any collaborations on exhibitions with the National Academy.
December 5, 2008 2:46 PM | |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.

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MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on December 5, 2008 2:46 PM.

Third Annual Art Basel Miami Sour Grapes Soufflé was the previous entry in this blog.

Auction House Privately Handled the National Academy Sales; Two More Possible Disposals Identified is the next entry in this blog.

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