Washington Washout: Seattle Art Museum's WaMu Whammy

Seattle Art Museum, shouldering the offices of WaMu
In his remarks at last year's press preview for the expanded Seattle Art Museum, John Walsh, former director of the Getty Museum and a long-time friend of SAM's director, Mimi Gates, declared that Washington Mutual Bank (which jointly developed the museum-owned land) was "certainly a more reliable partner" than the Venetian Resort-Hotel-Casino in Las Vegas, where the (now closed) Guggenheim Hermitage had been housed.
Not any more.
The good news is that SAM's finances, according to its spokesperson, Nicole Griffin, are not intricately entangled with those of the failed bank, which in 2001 had initiated discussions for the public-private partnership. At the time, WaMu urgently needed more office space, as I reported in my 2007 Wall Street Journal review of SAM's new addition, designed by MAD Brad Cloepfil.
Griffin said, in response to my specific queries, that SAM owns no WaMu stock or bonds and that there are no WaMu donation pledges or construction loans outstanding. I asked if JPMorgan Chase, the purchaser of WaMu, would be taking over the entire space that had been occupied by the failed bank and Griffin replied, "TBD" (which I take to mean, "to be determined"). That's a lot of potentially vacant office space that could loom over SAM.
In addition, there's the little matter of $4.6 million in annual gross income that SAM had been receiving from WaMu for the lease of eight floors directly above the four-floor museum expansion. SAM had the future right to occupy those eight floors; WaMu (which also occupied the new 42-story office tower behind SAM) was to retain the use of the top four floors of the 16-floor building. Griffin said that "there are Change-of-Control Provisions in the lease agreement." In other words, SAM is hoping that JPMorgan Chase will honor WaMu's rental obligations.
Shortly before WaMu's collapse, Griffin had told Regina Hackett of the Seattle Post-Intelligencer: "Theoretically, if something were to happen to WaMu, if it's sold, then WaMu's financial obligations become the responsibility of the new owner." This could be TBD too.
In conclusion, Griffin told me that the past SAM-WaMu relationship is causing "no evident repercussions right now"...
...except, perhaps, second thoughts in the museum world about teaming up with commercial entities for future expansions.
For a description of the original museum-bank deal (which, according to this account, had included construction loans from WaMu), go to Jim Brunner's detailed 2007 article in the Seattle Times.
October 2, 2008 11:06 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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