Who Are the Highest-Salaried Art Museum Directors?

Number One: MoMA's director, Glenn Lowry
Patrick Cole in today's Bloomberg, citing this article in the Chronicle of Philanthropy (for which you'll need to purchase a day pass, if you don't subscribe), reports that the Museum of Modern Art's director, Glenn Lowry, was "the best-paid chief executive of a U.S. nonprofit art institution last year, with a total compensation package [including benefits and expense allowance] of $1.7 million in 2007."
I did searches on "art," "gallery" and "museum," regarding salaries (not counting any other perks), and found that these were the highest-paid art museum directors listed in the Chronicle's (incomplete) survey of data from 2007:
1) Glenn Lowry, MoMAIn an interesting anomaly, Stephen Bertsler, chief investment officer of the Met, was higher salaried than de Montebello. Similarly, Patricia Woodworth (now at the J. Paul Getty Trust), who in 2007 was chief financial officer of the Art Institute of Chicago, made more than director James Cuno.
2) Peter Marzio, Houston Museum of Fine Arts
3) Philippe de Montebello, Metropolitan Museum
4) Malcolm Rogers, Boston Museum of Fine Arts
5) Michael Shapiro, High Museum
6) James Cuno, Art Institute of Chicago
7) (The late) Anne d'Harnoncourt, Philadelphia Museum
8) Marc Wilson, Nelson-Atkins Museum
Where's the megabucks Getty Museum in all this? Director Michael Brand's compensation, as reported on the Getty Trust's website here, would certainly put him up there in the big leagues. There are a couple of other directors I can think of who also likely belong on the best-paid list, but somehow flew under the Chronicle's radar.
September 29, 2008 1:00 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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