Tales from the 10Q: Details on Sotheby's Guarantees

Sotheby's stock chart, as of 12:57 p.m. today
Investors seem not to have loved what they heard in Sotheby's Tuesday announcement of its first-half results and its much more detailed elucidation of its finances in the Form 10-Q, filed yesterday. The auction house's publicly traded stock yesterday slid nearly 8% on a day when the Dow rose 40 points.
Yesterday's filings provided more details on Sotheby's experience in offering guarantees (amounts that the auction house agrees to pay consignors, regardless of whether bidding reaches that level) and its attempts to reduce risk in these economically dicey times.
Here are some nuggets mined from the 10-Q:
As of June 30, 2008, the Company had outstanding auction guarantees totaling $106.6 million, the property relating to which had a mid-estimate sales price of $118.4 million. The Company's financial exposure under these auction guarantees is reduced by $16 million as a result of risk sharing arrangements with unaffiliated partners [third-party guarantees offered by dealers, collectors or others]...The report did acknowledge that Sotheby's had a "less favorable auction guarantee experience" than it did last year, and that there has been "an increase in risk reduction arrangements and strategies in an effort to reduce the Company's exposure to auction guarantees in response to an uncertain economic environment over the last year." Although the overall guarantee portfolio was said to be profitable, there was one big loss:
As of July 29, 2008, the Company had outstanding auction guarantees totaling $62 million, the property relating to which had a mid-estimate sales price of $69.6 million. The property related to such auction guarantees is being offered at auctions in the second half of 2008. As of July 29, 2008, $36.9 million of the guaranteed amount had been advanced by the Company.
For the three and six months ended June 30, 2008, principal activities decreased $10.5 million and $12.9 million, respectively, when compared to the same periods in the prior year, primarily due to losses recognized in the second quarter of 2008 related to property offered and sold under one auction guarantee, for which there was no comparable shortfall in the prior period.The 10Q also acknowledges that "competitive pressures...in certain cases have caused the Company to accept lower auction commission margins in order to win consignments."
I also got a little more financial information from privately held Christie's, which doesn't have the rigorous disclosure requirements imposed on Sotheby's as a publicly traded company. Christie's press release doesn't break out its auction total from total sales figures (which include private sales). But in response to my query, Christie's said that first-half auction sales amounted to $3.23 billion (compared to $3 billion at Sotheby's).
August 7, 2008 1:19 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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