Edith Wharton Cliffhanger: No Mirth at the Home of "House of Mirth"
Edith Wharton's library at The Mount
CultureGrrl readers may remember the above photo from my visit to Edith Wharton's Berkshire home, The Mount, where she penned her first popular success, "The House of Mirth."
In my Oct. 3, 2006 Wall Street Journal article about the restoration of The Mount and its acquisition of 2,600 books from Wharton's own library, I discussed the difficulties faced by its president and executive director, Stephanie Copeland, in raising $2.6 million for the acquisition of the volumes from British rare book dealer George Ramsden, as well as for the restoration and maintenance of the author's house and gardens, one of the few National Historic Landmarks devoted to a woman.
I then wrote:
An acquaintance of hers [Copeland's], Lord Christopher Tugendhat---owner of the largest private collection of Wharton first editions in England---helped broker a deal last year whereby two benefactors, Robert and Elisabeth Wilmers, would lend the purchase price [for the books] to the Mount, which would launch an "adopt-a-book" fund-raising campaign to repay the loan. The campaign, totaling $35 million, will also endow the library and benefit the continuing care of the Mount.
Wishful thinking, as it turns out. Charles McGrath of the NY Times now writes:
The Mount...has been covering its operating expenses by borrowing from the Berkshire Bank in nearby Pittsfield. It now owes the bank some $4.3 million, and in mid-February, when it failed to meet a scheduled monthly payment of $30,000, the bank sent a notice that it intended to start foreclosing unless the default was remedied promptly, Ms. Copeland said.
McGrath also indicated that the loan from the Wilmerses (whom he identifies only as a "private lender") for the purchase of the books is still outstanding, and the Mount recently defaulted on a payment to Ramsden towards an additional $885,000 owed him.
This appears to be another case disproving the notion, "If you build it, they will fund." Capital campaigns needs to keep pace with capital (and operating) expenses. Trying to play catch-up is a dicey business plan, as The Mount has now discovered.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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