Free "Men of the Docks"!

George Bellows, "Men of the Docks," 1912, Maier Museum
Shades of "Portrait of Wally."
The four paintings from Randolph College's Maier Museum that are tied up in legal limbo, due to an ongoing lawsuit seeking to prevent their sale at auction, are now being sequestered in storage by the would-be auctioneer, Christie's, New York, according to the Lynchburg, VA, News & Advance.
In an update yesterday about the Maier Museum Four, the Christa Desrets reported [via] that opponents to the sale want the paintings back where they belong. But Randolph spokesperson Brenda Edson told Desrets:
We decided not to expose the paintings to the risk of unnecessary transport.
What about the need to expose the paintings, during this winter/spring 2008 semester, to the audience for which they were intended---the students, faculty and surrounding Lynchburg community?
Chances are that the chief risk that Randolph College is worried about is the campus outcry that would ensue if the paintings were returned and then uprooted once again.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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