Political Statement: Mark Wallinger Wins the Turner Prize UPDATED

Mark Wallinger, "State Britain," 2006
Photo © Tate 2006
It was brazen enough earlier this year when the Tate Gallery mounted Mark Wallinger's antiwar State Britain exhibition (taking a strong stance against British policy in Iraq) along the full length of its stately Duveen Galleries (above). To see more on that show, go here.
Now the government-subsidized museum has taken its effrontery a step further, bestowing on Wallinger its prestigious (often controversial) annual Turner Prize of £25,000, awarded to "an outstanding exhibition or other presentation by a British artist under 50." (Wallinger, who lost out 12 years ago to Damien Hirst, squeaks in at age 48.)
According to the Tate's announcement:
The jury commended its [State Britain's] immediacy, visceral intensity and historic importance. The work combines a bold political statement with art's ability to articulate fundamental human truths.
I doubt anything analogous to this direct challenge to government policy could happen at our federally funded Smithsonian Institution.
UPDATE: Martin Gayford of Bloomberg offers an enthusiastic appraisal of "State Britain" here.
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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.
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