LACMA's Fractional Gifts: Why the Lazarofs Might Have Chanced It UPDATED

In his Art Law Blog, Donn Zaretsky addresses my question of why Janice and Henri Lazarof were willing to bestow upon the Los Angeles County Museum of Art a major fractional and partial gift of modern artworks in the current unfavorable tax climate for this type of donation, which museum officials claim has essentially frozen this form of largesse.

Zaretsky writes:

The answer, it seems, is that technical corrections have at last been introduced in Congress that will fix the problematic estate and gift tax consequences that were created by the enactment of the new law last year. I'm told by a lobbyist close to the negotiations that the corrections have bipartisan support and have already been vetted by the Treasury, so it's assumed by all concerned that they will eventually be enacted, and with an effective date retroactive to the date the original legislation took effect, thus covering the Lazarofs' gift to LACMA.

LACMA probably could tell us if Donn is right about the Lazarofs' thinking, but my two e-mails asking the museum's press office about this have yet to be answered.

In the meantime, there is, even now, one advantage to giving in installments: Donors are only allowed to take charitable donation deductions up to a certain percentage of their adjusted gross income. Giving in installments may allow them to take a larger total deduction, by spreading it over several tax years.

UPDATE: Barbara Pflaumer of LACMA's press office said that the spam filter ate my two e-mails. But she had no further insights to provide on the Lazarofs' reasons for going ahead with their fractional gift despite the unfavorable tax treatment: "This was a decision they made, not LACMA," Pflaumer observed.

December 20, 2007 11:35 AM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on December 20, 2007 11:35 AM.

Philadelphia Museum's New Perelman Building: An Irreverent Photo Essay (Part II) was the previous entry in this blog.

Faux "Faun": Is It Museums' Grandest Goof Since Van Meegeren? is the next entry in this blog.

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