Department of Monumental Copyrights, New York City Division UPDATED

I knew that when I reacted to the notion of Egypt's copyrighting the pyramids with a snide crack about New York City's copyrighting the Statue of Liberty, someone was probably going to inform me that the the lady with the torch (above) IS copyrighted.
Indeed, so said Richard Lacayo in his Looking Around blog yesterday.
So I decided to check it out, and found this web page from the Library of Congress. Not New York City, but the French sculptor Frederic Auguste Bartholdi copyrighted the 1886 monument by depositing a photograph with the Copyright Office in 1876. You legal eagles help me out here, but I believe this means that the copyright has by now expired (maximum term: 95 years). I'm getting into New York harbor waters way over my head here.
Mr. Art Law Blog: AU SECOURS! (Glub, glub.)
UPDATE: Donn Zaretsky dives in to rescue me, confirming that I'm probably right about Lady Liberty's now being in the public domain. Finally, people can start manufacturing little replicas to sell to tourists! (Just kidding, of course. Copyright, when it was still in effect, obviously had no effect on the kitsch industry!)
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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.
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