London's "Independent" Has Strange Way of Defending Walton
It must be my week to attract attention from the British: The Independent of London today published an article, The Woman Who Put the Art in Wal-Mart, that begins with an allusion to my Wall Street Journal article on Alice Walton's collecting practices, and ends with a mention of her desire to acquire works from the Maier Museum's collection.
Like Walton's local defenders, the Independent charges her critics with snobbery:
The greatest unspoken objection is, of course, that no self-respecting East Coast art snob would be seen dead in rural Arkansas.
In my case, at least, there's a good reason why this supposed bias is "unspoken": Whether or not I ever make it to Bentonville (and I hope I do), I have nothing against great art's being gathered there. It might even make more sense than assembling the great masterpieces of world culture on an earthquake faultline. (Now I'm in trouble with the Getty!) I think if there's any snobbery in this, it's the other way around---Arkansas razzing New York (or, in my case, New Jersey).
Meanwhile, under the guise of taking Walton's side, the Independent dredges up elements of her past that I knew about but deemed irrelevant to my topic, which was her artworld activities. My comments, while strong, were directed specifically at her art-collecting practices and their effect on the artworld. I may have been harsh, but I hope I was fair.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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