College Art Association Adds Its Voice Against Maier Art Sales

The College Art Association, the country's largest organization of artists and art historians, has now joined the professional groundswell of condemnation against the planned art sales from the Maier Museum. CAA has issued a statement that not only deplores the sale of art for purposes other than funding acquisitions, but also alludes to the procedural irregularities in Randolph College's deaccessioning.

CAA declared:

Most colleges and universities adhere to a transparent process for financial exigency where all stake-holders are consulted in advance of decisions. CAA expects that any process that involves the disposal of art or not be an open one that is clearly articulated and involves all stake-holders. A dialogue and transparency are needed for such major decisions.

I cannot think of another recent issue that has so moved the professional art community to speak with one voice. Can these paintings be saved?

For the complete CAA statement, click the link below.

Proposed Randolph College Art Collection Sale

The College Art Association, the largest membership organization in the country for artists and art historians, represents the interests of a wide variety of art professionals. In this capacity, CAA supports and promotes best practices and professional guidelines for all institutions related to the making, display and preservation of art. Thus we feel we must comment on the redistribution of cultural assets through sales and other means, as is being considered at Randolph College.

The College Art Association understands that the sale of the Maier Museum of Art's collection is to provide operating revenue for Randolph College, and, as such, contravenes the Professional Practices for Art Museums policy outlined by the American Association of Museums and the Association of Art Museum Directors. This policy, which College Art Association wholeheartedly endorses, states that art collections are held by museums as a public trust and that any decisions to sell objects from the collection should be based on donor intent and aesthetic quality. Any revenue gained from sales is solely to support future art acquisitions.

Most colleges and universities adhere to a transparent process for financial exigency where all stake-holders are consulted in advance of decisions. CAA expects that any process that involves the disposal of art or not be an open one that is clearly articulated and involves all stake-holders. A dialogue and transparency are needed for such major decisions.

The Maier Museum of Art at Randolph College has an outstanding teaching collection that has served both professors and students extremely well and it has become part of the fabric of the established curriculum of Randolph College. It is a unique resource that is a source of study, research and contemplation not only for art and art history majors but also for all disciplines. It is also a valuable community resource that provides a source of pride, enjoyment and study to the non-academic community. In other words, it is an asset that goes well beyond the financial one and contributes to the educational mission of the college.

October 5, 2007 9:27 PM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on October 5, 2007 9:27 PM.

AAMD Condemns Sales from Maier Museum was the previous entry in this blog.

Monet Vandalized at Musée d'Orsay is the next entry in this blog.

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