Israel Museum, At Last, Posts Possible Nazi Loot Online

Egon Schiele, "Krumau - Crescent of Houses (The Small City V)," 1915
© The Israel Museum, Jerusalem
From the "better late than never" files: The Israel Museum, Jerusalem, announced that it has finally launched an online catalogue of art and Judaica in its possession that may have been looted during World War II.
The new posting is titled World War II Provenance Research Online. But, in fact, it lacks any provenance information for the works, other than the Jewish Restitution Successor Organization, which was created after World War II to distribute to Jewish institutions worldwide art and artifacts discovered after the war that either had no record of prior ownership history or came from institutions that did not survive the war. The approximately 1,200 objects, including works by major artists, were deposited by JRSO at the Israel Museum in 1965, when the museum was founded. One of the highlights is a Schiele citiscape, above, "thought to be worth more than $20 million," as reported a few months ago by Matti Friedman of the Associated Press.
Avraham Roet, a Holocaust survivor who heads a new restitution group, the Company for Locating and Retrieving Assets of People Who Were Killed in the Holocaust, a few months ago called for the museum to hand over the JRSO works to his group. Last year, Israel's parliament passed a law requiring anyone in Israel holding property that had belonged to Holocaust victims to turn it over to the new company, which was given the legal mandate to seek rightful owners and, and if none were found, to sell the property and distribute the money to needy survivors.
The Israel Museum had opposed efforts to change its role as custodian of the JRSO works, with which it had been entrusted by the nation. It has stated:
A small number of works of art historical importance are regularly on view in the Museum's galleries, including works which have been exhibited and published worldwide, always identified prominently as works received from JRSO. Many works are of lesser art historical importance, and many arrived in poor condition....
From time to time, individuals have come forward to make claims, beginning as early as 1950, and the Museum has released works in response to these claims. The most recent such claim was honored at the end of 2006.
Roet has now professed satisfaction with the posting of an online catalogue. The Jerusalem Post reported yesterday that he "praised the museum on Sunday for fully acceding to the request to list the information, after initially balking at the move." Roet called this "a major moral accomplishment for the state of Israel."
On the catalogue's home page, the Israel Museum states:
We hope that this site will assist in the Museum's continuing efforts to restore objects from these holdings to their legal owners.
Categories:
About
KEEP CULTUREGRRL BLOGGING! Please Contribute (Secure transaction via PayPal): (You do not need to have your own PayPal account: Click the "continue" link at lower left of the donation page.)
ADVERTISE on CultureGrrl MUSEUMS, GALLERIES, AUCTION HOUSES, ART PUBLICATIONS, ARTS PROGRAMS---Please go here and click the "CultureGrrl" box to place an ad. For more information on advertising, e-mail here. more
LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more
Contact me
Click here to send me an email...
moreBlogroll
About Last Night
Art History Newsletter
Art Law Blog
Art Observed
The Art Tribune (France)
Artblog.net
Articulations (Smithsonian)
Artopia
Design Observer
A Don's Life
Edward Lifson
Exhibitionist (Boston)
Eye Level (SAAM)
Foot in Mouth (dance)
Greg.org
LA Observed (Los Angeles)
Looking Around (Time)
Looting Matters
Modern Kicks
New Curator
NewYorkology--Architecture
NewYorkology--Museums
NYC Opera Fanatic
Opera Chic
Slog (Seattle)
Tropolism
Walker
AJ Ads
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog

Leave a comment