Parthenon Marbles: A Veiled Reproach from the New Acropolis Museum

AcropMarb.jpg

Marbles Moving Day Approaches

The creators of the New Acropolis Museum, now finishing construction in Athens, have always said that they would leave empty gaps in their installation of the Greek-owned blocks from the Parthenon frieze, in the hope that Great Britain would eventually fill those voids by sending the slabs from the frieze that are now in the British Museum.

But during a recent slide presentation in New York---showing the current appearance of the new museum, as well as renderings of what it will look like when it opens (possibly in late 2008)---Dimitris Pandermalis, president of the Organization for the Construction of the New Acropolis Museum, revealed a new approach to the problem of the missing marbles. Instead of an empty space, the slide showed an image of one of the Greek-owned marbles chockablock with a copy of the British-owned slab that would have originally been beside it on the façade of the Parthenon. Together, they completed the relief of a horse. So that there would be no confusion between the original and the copy, the latter was veiled by a scrim, making it appear like a "ghost," as Pandermalis put it.

Pandermalis said that he felt encouraged by some recent discussions with the British about the marbles, and Bernard Tschumi, architect for the new museum, said that he is "convinced that those veiled marbles will create a public understanding of the necessity of completing the narrative....I've always thought that it might change the mind of the British Museum."

In the unlikely event that this happens, the continuous procession that the frieze was meant to depict will still have some gaps, because some parts of it were lost in various upheavals, including the conversion of the temple into a church in about 450 A.D. and a direct hit by a shell during a Venetian siege in 1687, when the structure was used by the Turks for military purposes. In the new installation, those gaps will be used as points of entry into the space.

The Greek-owned marbles, which had weathered badly over the years, have all been cleaned using lasers, Pandermalis said. They are about to be hoisted down from the Acropolis to the new museum, by a crane relay. The photo, above, shows a trial run, using a copy of one of the blocks.

July 27, 2007 12:01 AM | | Comments (0)

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Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on July 27, 2007 12:01 AM.

Seattle's "Lusty Lady" Has a Good News Week was the previous entry in this blog.

NY Times on the Reign of Count de Montebello is the next entry in this blog.

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