Met Pays the Ransom for an Albright-Knox Antiquity

The Met's New Acquisition, ex-Albright Knox
The Metropolitan Museum paid a stiff price to reclaim one of the Albright-Knox Gallery's deaccessions for the public domain. Exceeded in price only by "Artemis and the Stag" at the Buffalo museum's antiquities sell-off at Sotheby's on June 7 was the Elamite (southeastern Iran) copper figure of a horned hero (above), ca. 3000-2800 B.C.
It's the second of the Albright-Knox's orphans to find a good home at a major museum.
Its $3.18-million price (which Bloomberg had previously reported was paid by New York dealer Robert Haber as agent for "an unnamed U.S. museum," now identified as the Met) was even more astonishing than the $28.6 million lavished by dealer Giuseppe Eskenazi (bidding for an unnamed European private collector) on the more celebrated late Hellenistic/early Roman Imperial bronze that was the sale's top lot. The Met's acquisition, a mere 6 7/8 inches high, was estimated by the auction house to bring only $150,000 to $250,000. It's interesting and a bit surprising that the museum was able to muster an amount so wildly in excess of the expected price.
And it's distressing that such a heavy ransom must be exacted from a public institution to rescue what should never have left the public domain in the first place.
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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.
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