Megabucks Auction Bloopers: At Those Levels, Who's Counting?
"Where am I now?" the usually quick-minded, fleet-of-tongue Christopher Burge poignantly queried, momentarily sidetracked in the onslaught of bids early during Christie's record-breaking contemporary sale last night. Baffling the crowd, he had unaccountably dropped $1 million off the bidding for Lot 9, the Philip Guston, which he confidently placed at $4.4 million, despite the fact that he had already just taken a bid at $5.4 million.
"A senior moment here!" he murmured, more to himself than the crowd. Then he promptly got back on track and headed towards the $5.8-million finish ($6.54 million, with buyer's premium).
Another glitch in the bidding occurred for Warhol's "Lemon Marilyn," which ultimately fetched $28.04 million (with premium), the second highest price of the night. This time the perpetrator was seasoned dealer Larry Gagosian, whose extensive auction experience didn't stop him from making a bid and then taking it back, at the $25.5-million level. Gagosian laughed at his own giant breach of auction protocol, while Burge searched in vain for another $25.5-million taker.
"You can still do it again, if you like," Burge wheedled.
Nothing doing. It got knocked down at $25 million.
UPDATE: A reader has shared with me his personal experiences with the spring auctions, and I invite other readers also to e-mail your experiences or comments related to these sales. You can read them by clicking the link below.
Tom Dare of Santa Monica, CA, writes:
Here is a personal (and somewhat bittersweet) story from big spring sales: I sold two Ruscha pieces today in Christie's morning sale---Lots 208 and 210, which I commissioned from the artist in 2000. Both pieces sold 200% over high estimate
The subject matter, "Dare," is eponymous in nature and very personal to me as a collector and huge Ruscha fan. The crazy market combined with all-time high Dow indices caused me to rethink the personal nature of the commissioned pieces and do the smart thing---take money off a hot table and pay the mortgage off. I work in the dot.com business and remember the pain from the bursting bubble in 2000 and the untold dollars I left on the table as a recently IPO'd employer fell back to earth.
There was a small tear shed in the Dare household as a very personal piece of us was sold, but there will be a champagne celebration tonight. Thank you, crazy art market. We will lift a glass to you and Ed!
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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