Yet Another Campaign to Reunite the Parthenon Marbles

Speaking of losing battles that I have journalistically championed...

A new campaign was launched today in Great Britain, chaired by Parliament member Edward O'Hara, to return the British Museum's portion of the Parthenon marbles to Greece. I've supported the rejoining of the marbles numerous times (most notably in this NY Times Op-Ed piece), on the grounds that the sculptural frieze is a single work, depicting a continuous procession. To split it in pieces violates the integrity of one of the great masterpieces of Western Civilization.

Another Parliament member, Andrew George, introduced a motion last week that "calls on the Government to work with the British Museum to open negotiations with the Greek authorities to arrange for the proper restitution of the Parthenon Marbles to Athens."

"Marbles Reunited," which hosted a kickoff reception today at the House of Commons, bears an uncanny resemblance to Marbles Reunited, a campaign launched in Great Britain three years ago, not to mention Parthenon 2004, which aimed to send the marbles to Greece in time for the Olympics that year in Athens.

The new push is pegged to the expected June 2007 completion of the New Acropolis Museum in Athens, designed by Bernard Tschumi, which "will be fully operational in 2008." Failing an agreement with the British Museum, the new Athens museum will exhibit the Greek-owned marbles in a gallery with a view of the Parthenon from whence they came, leaving empty spaces where the British-owned marbles were intended to be.

I'll believe the 2008 opening when I see it: The previously expected 2004 inauguration was clearly missed by a long shot. (Early images of Tschumi's designs are here).

Scheduled to be on hand for today's British campaign kickoff was Dimitrios Pandermalis, president of the Organization for the Construction of the New Acropolis Museum, which is supervising its creation. Another scheduled speaker was our old friend, Nigel Spivey, the host of the art-edutainment television series, "How Art Made the World," who had elucidated classical art by treating us to an extended live beefcake segment of buff ancient Greek wannabes, ludicrously accompanied by the Noel Coward song, "Mad About the Boy."

Play it again, Nigel!

March 21, 2007 4:41 PM | | Comments (0) |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.

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IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
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LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Modernist Abstraction Exhibitions in NYC

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Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

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Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on March 21, 2007 4:41 PM.

Albright-Knox BlogBacks: Freudenheim and a Buffalo Art Keeper was the previous entry in this blog.

Another Smithsonian Bad-News Day: Betsy Broun Gets a Bum Rap is the next entry in this blog.

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