New York Public Library's Durand Proceeds: $33.81 million

We journalists should read nonprofits' publicly available tax returns more often. Had I done so, I'd already know that the net proceeds received by the New York Public Library from Alice Walton's purchases of Asher B. Durand's "Kindred Spirits" amounted to $33.81 million, as reported on last year's Form 990.

I found this out today from Anthony Calnek, the library's new vice president for communications and marketing, who was replying to my request of last November for information on what has happened to the works that the library had consigned in 2005 to Sotheby's but that failed to sell.

We found out earlier this month what had happened to Gilbert Stuart's Munro-Lenox portrait of George Washington. Calnek filled in the rest, including the take from the Durand, in today's e-mail:

Shortly after the auction, Sotheby's sold John W. Alexander's "Anna Palmer Draper" in a private sale. John Singleton Copley's "Hannah White Cowell Hooper" remains unsold. One theory I heard is that although the Copley is a fine painting, the subject is a rather unattractive person, resulting in no takers.

The total amount brought in to the Library from the Sotheby's live auction sale and the private sale of the Alexander was $14,002,500. This will be on our next Form 990, which we will file next month.

The last 990 we filed included the proceeds from Kindred Spirits: The Library received $33,811,000 from that sale.

All proceeds have gone into an endowment strictly for acquisitions by the Research Libraries.

The Durand had reportedly sold for about $35 million (from which Sotheby's may have taken a commission). The Alexander had been estimated at $400,000 to $600,000.

Can we put the homely Mrs. Hooper back on display at the library now? She might look good next to the portrait of Truman Capote!

January 19, 2007 11:32 AM | | Comments (0) |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more

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For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
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The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

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The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
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This Museum's Expansion is Simply Effective (Minneapolis Institute)
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Hot Pots and Potshots (controversies over museum antiquities)
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Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
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Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

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Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

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