Who Transported the Goya?

The detailed article in Saturday's NY Times on the theft of Goya's "Children With a Cart" from a truck that was transporting it from the Toledo Museum in Ohio to the Guggenheim Museum in New York discusses important questions raised by law enforcement officials, who spoke to reporter David Johnston "on condition of anonymity." The painting was en route to the Guggenheim's Spanish Painting from El Greco to Picasso.

F.B.I. investigators have been looking into why a truck bearing such precious cargo was left unattended and why it stopped at a motel overnight, when the trip could have been easily made in one day.

But the article implicitly raises two other important questions, both unanswered: First, why did the unnamed law enforcement officials leak so much sensitive information to the newspaper when, according to Johnston's own account, "the F.B.I. office in Philadelphia, which is in charge of the investigation, has released few details about the case, hoping to use information about the theft to evaluate any tips." (Johnston's piece originated in Washington, not Philadelphia.) Has the Times piece now compromised this investigation?

And the second unanswered question, of crucial importance to the artworld: What shipping company was involved in this debacle? Clearly anyone in need of art transport has a keen interest in knowing the answer. But although they divulged a surprising number of details to Johnston, "law enforcement authorities did not identify the shipper."

Paradoxically, Johnston wrote a piece just two weeks ago about concerns over news leaks of confidential information from F.B.I. investigations:

Director Robert S. Mueller III of the F.B.I. has issued a stern message to the bureau's nearly 30,000 employees warning them against leaks of confidential information after recent news articles disclosed criminal inquiries involving incumbent lawmakers, mainly House Republicans.

''There have been a number of recent stories in the press attributing sensitive law enforcement information to 'federal law enforcement officials,''' Mr. Mueller said in an Oct. 26 e-mail message. ''While I cannot say they have come from F.B.I. employees, such disclosures do serious damage to our investigations and risk unfairly tarnishing the subjects of our investigations who enjoy the presumption of innocence.''

Also sadly damaged in this unfortunate episode is the reputation of museums for safely borrowing and returning valuable works owned and cherished by others.

November 20, 2006 11:43 AM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on November 20, 2006 11:43 AM.

Who Bought the Pollock? was the previous entry in this blog.

Letters from the Fractional-Gifts Lobby is the next entry in this blog.

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