Who Transported the Goya?
The detailed article in Saturday's NY Times on the theft of Goya's "Children With a Cart" from a truck that was transporting it from the Toledo Museum in Ohio to the Guggenheim Museum in New York discusses important questions raised by law enforcement officials, who spoke to reporter David Johnston "on condition of anonymity." The painting was en route to the Guggenheim's Spanish Painting from El Greco to Picasso.
F.B.I. investigators have been looking into why a truck bearing such precious cargo was left unattended and why it stopped at a motel overnight, when the trip could have been easily made in one day.
But the article implicitly raises two other important questions, both unanswered: First, why did the unnamed law enforcement officials leak so much sensitive information to the newspaper when, according to Johnston's own account, "the F.B.I. office in Philadelphia, which is in charge of the investigation, has released few details about the case, hoping to use information about the theft to evaluate any tips." (Johnston's piece originated in Washington, not Philadelphia.) Has the Times piece now compromised this investigation?
And the second unanswered question, of crucial importance to the artworld: What shipping company was involved in this debacle? Clearly anyone in need of art transport has a keen interest in knowing the answer. But although they divulged a surprising number of details to Johnston, "law enforcement authorities did not identify the shipper."
Paradoxically, Johnston wrote a piece just two weeks ago about concerns over news leaks of confidential information from F.B.I. investigations:
Director Robert S. Mueller III of the F.B.I. has issued a stern message to the bureau's nearly 30,000 employees warning them against leaks of confidential information after recent news articles disclosed criminal inquiries involving incumbent lawmakers, mainly House Republicans.
''There have been a number of recent stories in the press attributing sensitive law enforcement information to 'federal law enforcement officials,''' Mr. Mueller said in an Oct. 26 e-mail message. ''While I cannot say they have come from F.B.I. employees, such disclosures do serious damage to our investigations and risk unfairly tarnishing the subjects of our investigations who enjoy the presumption of innocence.''
Also sadly damaged in this unfortunate episode is the reputation of museums for safely borrowing and returning valuable works owned and cherished by others.
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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more
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