Tate Discloses Acquisition Prices
Bloomberg reports that the Tate Gallery, London, released at its annual press conference today "prices paid for recent art purchases, moving to boost transparency after criticism that the London museum bought from an artist on its board---Chris Ofili---without seeking regulatory permission."
There are museums in this country that have previously disclosed prices of privately purchased works---regularly (Smithsonian purchases with government money) or sporadically (the Detroit Institute of Arts, the Minneapolis Institute of Arts). But here's the shocker, again quoted from Bloomberg:
The Tate also published the names and values of works handed to it as gifts.
I'm all for transparency, especially in the expenditure of museum funds. But disclosing the appraised value of art donated to museums could chill or kill such munificence, without creating any public benefit. Museums in this country, quite properly and legally, have a hands-off stance towards appraisals of donated works. The donor must, for tax-deduction purposes, obtain such appraisals independently and report them to the IRS, which has an Art Advisory Panel of outside art experts to review and, if necessary, challenge, valuations of high-ticket items. Since the taxman already has access to this information, no abuses are being curbed by making it public. The only thing that would be curbed is the largesse of donors who prefer to keep the value of their gifts private.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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