Museum Transparency and the Tangled Web

No, this is not another exposé; it's my commentary on museum websites, inspired by the Terry Teachout Challenge. My fearsomely prolific fellow blogger, who is also the theater critic for the Wall Street Journal (among his many distinctions), recently discussed what he likes and dislikes about the websites of American theater companies. He ended the post with a shoutout to CultureGrrl for her critique of museum websites.

I'm going to turn this around a bit, not bothering with the basics. Most museums do provide the essential information about directions, admission fees (don't get me started), exhibitions, collections, etc.

But most could do more to make navigating their labyrinthine halls less confusing. More importantly, at a time when museums are being asked to display greater transparency in governance and operations, the web represents a missed opportunity for more openness. What follows are things that I'd like to see on more museum websites, with credit to the few who are already doing it:

---Help in navigating galleries: For fans of pre-planning, the National Gallery of Art, Washington, provides clickable gallery maps, like this one of the West Main Floor, Gallery 6, the locus of one of the museum's great treasures, Leonardo da Vinci's "Ginevra de' Benci." Doing a search for that work can get you a gallery map with its location marked in red. Clicking that dot gets you a list of all the works in that room, each of which can be clicked for a wealth of details, including exhibition history, provenance and even bibliography. You can also browse the galleries by clicking on the various rooms.

---What you WON'T see:---Ever go to a museum specifically to view certain iconic works, only to discover that one or more of them is missing? The Clark Art Institute, Williamstown, Mass., keeps you posted on art that is off view, with an explanation of where it's gone and for how long.

---New on view: On the Metropolitan Museum of Art's website, you can download their annual reports of Recent Acquisitions, including this one from 2004-2005, containing (on page 14) curator Keith Christiansen's discussion of the Duccio "Madonna and Child". The J. Paul Getty Museum also publishes an acquisitions list.

---Annual reports, board minutes: The Getty recently stated that it would publish more detailed financial and governance information on its website. The British Museum already does this: Here are its most recent trustee minutes and its annual report (although the most recent posted report is from fiscal 2004).

---Press release archives: Some museum websites include this; few are as comprehensive as the Guggenheim's, which goes back to 1998.

---Curatorial contacts: Wish you could easily communicate with a curator? The San Francisco Museum of Modern Art posts contact e-mails for its various curatorial departments.

SOON: What museums never post, but should.

July 25, 2006 12:02 PM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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This page contains a single entry by CultureGrrl published on July 25, 2006 12:02 PM.

BlogBack: More on Tinterow was the previous entry in this blog.

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