Creative Destruction: July 2011 Archives
Not too long ago, I was in line at a summer arts festival. People around me were laughing and talking as they waited in the ticket line. A few minutes later, as I stood at the front gate, waiting for a friend to join me, I noticed the same thing - this time it was the ushers that were enjoying themselves while they awaited the next wave of audience members to serve. There was a sense of ease all around; a joyful quality brought about by the beauty of the scene, the expectations of the concert that would soon begin, and the familiarity of friends and colleagues.
What became interesting to me was that, at the moment that the ushers and the audience members interacted, all of that stopped. Professional training and habitual behavior kicked in while the authentic relating to each other I had just seen in each person was replaced by the expectations inherent in the roles each person played.
So, when I came across a passage in Eckhart Tolle's book, Stillness Speaks, it had a special resonance to me. I'll let his words serve as the rest of this entry:
Whenever you meet anyone, no matter how briefly, do you acknowledge their being by giving them your full attention? Or are you reducing them to a means to an end, a mere function or role?What is the quality of your relationship with the cashier at the supermarket, the parking attendant, the repairman, the "customer"?
A moment of attention is enough. As you look at them or listen to them, there is an alert stillness - perhaps only two or three seconds, perhaps longer. That is enough for something more real to emerge than the roles we usually play and identify with. All roles are part of the conditioned consciousness that is the human mind. That which emerges through the act of attention is the unconditioned - who you are in your essence, underneath your name and form. You are no longer acting out a script; you become real. When that dimension emerges from within you, it also draws it forth from within the other person.
Ultimately, of course, there is no other, and you are always meeting yourself.
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
Chloe Veltman on how culture will save the world
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
innovations and impediments in not-for-profit arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Joe Horowitz on music
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary