Oh Baby, I'm about to lose control!

It's a concert week for me. Tomorrow night, the Adrian Symphony Orchestra will present a pops concert to end the season. As of early in the week we had seven seats left to sell and none of them were "two-together" in the hall.

Power to the People.jpg

Mid-week I stopped by the local radio station to meet with the station manager who was going to do the narration for this concert when he surprised me with, "Hey, today the phones lit up when we gave away two tickets for the concert. We couldn't believe how quickly people were calling in!" Excuse me? We hadn't offered a ticket giveaway. Actually, at the time, we had a waiting list for tickets and had sent out an e-mail to our subscribers asking those who weren't planning on using their tickets for this concert to donate them back to the office in order to accommodate the demand.

It took me a moment to realize what had happened. Someone who couldn't attend decided that their tickets were precious commodities, and, instead of just letting them be re-sold they took it upon themselves to take them to the radio station, which would announce the giveaway. In other words they created their own marketing campaign.

Over the past eight years, the ASO has been engaged in reinventing itself and consciously serving as a laboratory for new ideas. We've taken some pride for our innovations: creating new tools for growing our audiences, launching a new multi-year donor model, and designing innovative artistic programs while being more responsive to our community. We're in a difficult economic climate - around 22% actual unemployment in this region - so seeing positive results is even more remarkable. We've made a plan, and it's working.

But it struck me that this was something entirely different.

Instead of a top-down marketing campaign conceived of in the office; instead of using free viral tools like our Invite a Friend or Be Our Guest cards that WE created to encourage our audience members to broaden our base; instead of utilizing Purple Cow elements WE built into the concert-going experience that guaranteed buzz on Monday morning after a concert - here was an audience member acting independently and creating their own campaign, finding a means of distributing the information locally, and then disappearing into thin air! It was a "Lone Ranger" moment. Who WAS that masked audience-member? I don't know! WE don't know.

Sometimes I ask myself what a vibrant arts community looks like. How do you know when you've found one?

Perhaps in the new model, it will be when someone creates their own campaign on Facebook or Twitter - "I'm giving away two tickets to this week's Bruckner symphony to the first person who responds!"

Vibrant arts communities may feel chaotic because the command structures we're used to won't be operational anymore. The forces for change will be decentralized.

Power to the people!

Oooo baby, we're about to lose control, and I like it!

June 18, 2009 5:49 PM | | Comments (1)

1 Comments

Wow, sold out and in demand? Good work for good times!

I'm impressed with what you've done in just a few years. Keep it moving... :)

Leave a comment

Blogroll

About this Entry

This page contains a single entry by Creative Destruction published on June 18, 2009 5:49 PM.

Notes from the Upper Balcony was the previous entry in this blog.

Change or Die is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.