Round-up. Or considering these items, maybe "Wind-down" would be better
Romance novels represent one-fourth of all popular fiction sold, some 6,000 new titles per year. But sales are flat, the readership is aging and even mighty Harlequin laid off people last year. Is the multi-cultural romance novel an answer?
That favorite author? The one who cranks out a new novel every year? The one whose brand-new novel you just bought? She or he may be dead. LIke Ian Fleming. Or Robert Ludlum. And especially V. C. Andrews.
Academics discussing bad-boy French novelist Michel Houellebecq: The fundamental difference between the Marquis de Sade and Houellebecq, "comes down to 1968, it would seem. How can anyone have an orgasm after May 1968?"
The Elegant Variation has the intermittently hilarious, translated transcript.
Posted by jweeks at November 9, 2007 6:02 AM
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A professional critic for more than two decades, Jerome Weeks is the arts producer-reporter for KERA, the NPR/PBS station for Dallas-Fort Worth. Before that, he was the theater critic and then the book columnist for The Dallas Morning News ...
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Book/daddy's site ponders writing from papyrus to paper to pixels -- with occasional forays into vellum.
Book/daddy's name puns on "bone daddy" and "mack daddy." Think of it as Pimp My Read. more
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In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence and return to combat, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches and they avoid it or embrace it. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships and war-time atmosphere (and gruesome battlefield details) are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for truly exceptional historical novels. A new trilogy? One hopes so. Not what I expected. Trespass begins so tense and almost violent, it seems it'll be a coolly-controlled literary thriller, something akin to Patricia Highsmith. The college son of an American couple -- the dad's a historian, the mom's a book illustrator -- brings home his unsettling new girlfriend, a beautiful, chilly Croatian. Mom disapproves, and her suspicions spark angrily when the young woman becomes pregnant and the two marry. Then there's the armed poacher wandering around shooting rabbits illegally on their land. Behind all this is Bush's duplicitous run-up to the Iraq War, and you can see the many ways the title plays out. But Trespass pivots in unexpected, perhaps too convenient ways. If the ending is too peaceful for what preceded it, Valerie Martin is still such a sharp, gripping writer, the novel captivated me.
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