How Sadler's Wells Became Dance's Most Important Venue
When Alistair Spalding "took over in 2004, the theater was in debt, and its programming had suffered from years of changing and shaky direction. Mr. Spalding has turned matters around by taking risks, trusting his instincts and continually supporting and producing new work. This approach, the antithesis of the market-research-driven philosophy that motivates most American theaters, has met with both financial and popular success." The New York Times 01/11/09

Posted January 11, 2009 11:07 AM