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Our capacity for collective action
npac_report.jpgBack in June, I was working with some colleagues and a team of graduate students to explore and capture the conversations during the massive National Performing Arts Convention in Denver. We had been commissioned by the convention partners to bring a sociological perspective to the convening -- watching not only what was talked about among the cross-disciplinary attendees, but also how they talked. The larger purpose was to understand better whether and how the performing arts, writ large, might advance collective action -- or work as a field to improve the policies, resources, connections, and potential for their entire field.

The convention, after all, was primarily intended to craft a national performing arts agenda, and to inspire action toward that agenda.

The final report of our work is now available on-line as a pdf download through the Curb Center for Art, Enterprise and Public Policy at Vanderbilt. Says the report:

Sociologists and civic activists have come to understand collective action as encompassing a broad range of organized activity intended to produce political and cultural change. Collective action takes many forms, including advocacy and lobbying, legal action and protest, research and education, strategic partnering and novel collaborations, and change and sharing of business practices. Further, these forms of collective action may be coordinated and enacted at the international, national, regional, local, and organizational/individual levels.
Our academic and graduate student team was equal parts Arts Administration, Sociology, and Policy, making for fabulous conversations in our snack-filled workroom. More thoughts on the findings of this report, and the thinking I've evolved since then, in the months to come.
April 27, 2009 1:29 PM | | Comments (3) |

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3 Comments

Seeing how people work and talk together, whether it be in arts or another field would definatly be a huge deal. if you could pinpoint action which may be detrimental to the the progress of arts and stop them that would be a good thing. This would be a very interesting project since we all know that people involved in the arts are not quite like other people, myself included...

Andrew,

I think it's pretty cool that you went to the conference to hear the conversations that people were having about this matter. Sometimes that's the best way of getting responses that are mostly true. Why didn't you all do a survey as well?

Andrew-

There were many interesting observations in this document that I have never seen emerge in discussions or studies before. Some I suspected but never had any corroboration.

I was wondering why the suggestions made and voted upon at the Town Halls weren't included. I don't believe they were even referenced. Though I could have missed a mention.

The initiatives that rose to the top of the voting are probably the best examples of your team's observation that no one was quite sure who would be advancing the priorities.


There were other issues raised by the report that were equally applicable. Certainly choices were likely made to omit a great deal of material. The mere fact that different arts disciplines came together to vote on a plan of collective action seemed ready made for your effort. Why wasn't it examined in greater detail?

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