Amateur vs. professional
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Of boards, bungles, and the two-headed beast
The Playbill story on the subject claims this as the second such restructuring in an American Equity theater, the first being the BoarsHead Theatre in Lansing, MI. Both companies claimed financial hardship as the reason for the change. Both boards determined that eliminating their primary artistic leadership was the best way to continue operations and save the theater.
The implications of that choice, and the process by which it was selected, will be an on-going point of conflict in Milwaukee and in Lansing. On its face, it's a troubling assumption that business leadership should trump artistic leadership in organizations committed to aesthetic mission. But clear already is how badly and opaquely the board of the Skylight managed the decision and its public conversation surrounding it (board president Suzanne Hefty has issued a statement here).
The Milwaukee Journal-Sentinal's theater critic Damian Jaques has the most balanced and reflective response I've seen so far on the subject, and his primary point captures the nut of the issue:
The foolishness of alienating customers -- audiences -- should be obvious, but the boards and management of arts groups also need to respect their artists. The people who make theater or music or dance are not minimum wage employes who can be downsized in the dark of night. Assuming we want artists in our midst, we must engage them when difficult decisions have to be made, and give them a stake in our cultural future. They may even have some fresh ideas on how to save a buck.... Money may be short, but mutual respect and good judgment costs nothing.For a great rundown of the responses and reports on the matter, see Leonard Jacobs' great summary and insights at The Clyde Fitch Report.
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Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
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Andrew Taylor on the business of arts & culture
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rock culture approximately
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Laura Collins-Hughes on arts, culture and coverage
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Richard Kessler on arts education
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Douglas McLennan's blog
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Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
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Art from the American Outback
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For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
Paul Levy measures the Angles
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Judith H. Dobrzynski on Culture
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John Rockwell on the arts
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Fresh ideas on building arts communities
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Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
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Public Art, Public Space
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Regina Hackett takes her Art To Go
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog




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