Is a conservatory a professional school?
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Making molehills out of cliffs
These institutions have been significant beneficiaries of the growing and, to many, morally indefensible disparities of wealth throughout the world. It has left them heavily reliant on, and overly attuned and attentive to, a narrow constituency whose long-term appetite or capacity for support is highly questionable. The sector has come to rely disproportionately on the very wealthy, and on the role that museums can play as mechanisms for the translation of wealth into status, and status into power.The steep contribution curve (with the vast majority of all money coming from the tip-top few) is therefore in need of a softer slope, in the form of more, smaller donations. Problem is, the arguments for supporting the arts among the very rich don't resonate particularly well with those who might join the smaller donor crowd. And it will take museums (and other cultural institutions) some time to retool their rhetoric.
Adrian also suggests that minor alterations won't suffice, even though radical reconstruction will be difficult for conservative boards and defensive leadership. Although desperation may be the mother of innovation:
The alternative to the open-minded exploration of radical alternatives is a sombre one, in which the energies and ingenuities of the sector are devoted increasingly to the support of a dysfunctional pseudo-mission: that of maintaining appearances at any cost, even if the museum becomes a sort of "living dead" organisation, in which any capacity for aesthetic or intellectual endeavour is sacrificed to the goal of keeping the institutional ego protected.
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Terry Teachout on the arts in New York City
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Andrew Taylor on the business of arts & culture
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rock culture approximately
rock culture approximately
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Laura Collins-Hughes on arts, culture and coverage
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Richard Kessler on arts education
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Douglas McLennan's blog
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Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
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Art from the American Outback
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For immediate release: the arts are marketable
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No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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Judith H. Dobrzynski on Culture
Rockwell Matters
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John Rockwell on the arts
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Martha Bayles on Film...
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Greg Sandow performs a book-in-progress
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog




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