Painting, pound for pound

The heavyweight in the field is Jay DeFeo's The Rose (1958-66), tipping the scale at 3,000 pounds. DeFeo didn't intend gargantuan. Over the years, as she added and never took away,  it grew. Most painters are content to work with a flat surface, but there are artists for whom flat is a synonym for starting gate. Once they blow through it, they go for volume, volume, volume.

Leslie Wayne

lesliewaynepaint.jpgIvanna Brenner (via)

ivannabrennerpaint.jpgPeter Fox (via)
peterfoxpaint.jpgMargie Livingston

margielivingpaint.jpgPeter Tollens Untitled 2005 oil on wood 3.75 x 3 inches

petertollenpaint.jpgMichael Toenges 16-07-32-28 2007 oil on linen 15 x 13 inches

michaeltoengespnt.jpgAndrew Dadson To Be Titled, 2010. Oil on canvas 20 x 15 inches (detail)

andrewdadsonpnt.jpgWil Jansen

wiljansenpnt.jpgRichard Allen Morris

richardallenmorris.jpgTomory Dodge Survivalist, 2007. Oil on canvas.13 3/4 x 16 inches

TomoryDodgeSurvival.jpgDrew Klassen

DrewKlassenpaint.jpgJoan Snyder Life of A Tree, 2007. Oil, acrylic, cloth, berries, paper mache, glitter, nails, pastel, on linen 48" x 68"

joansnyderpnt.jpgAlexander Kroll Untitled, 2009 Oil on linen over panel 14" x 14"

alexanderkrollpnt.jpgBack to flat. Paint doesn't need to be thick to be thick.

Angela Fraleigh, in this moment, 2007, oil on panel, 72" x 96"

AngelaFraleighpnt.jpg
July 30, 2010 3:52 PM | | Comments (2) |

2 Comments

By Andrew Caine on August 1, 2010 10:11 PM

Very nice paintings

By Douglas Britt on July 31, 2010 7:13 AM

Darren Waterston has laid it on thick in some of his recent work:

http://inmangallery.com/artists/waterston_darren/dw_anatomies/waterston_darren_anat_21.html

In fact, his first foray into sculpture consisted of endless layers of oil paint over a small clay armature. Can't find a jpeg apart from this installation shot, unfortunately.

http://inmangallery.com/artists/waterston_darren/dw_anatomies/waterston_darren_anat_ins2.html

Leave a comment

About

Another Bouncing Ball
This blog continues Art To Go, which I wrote as the art critic for the Seattle Post-Intelligencer, beginning at the end of 2007 and continuing through March 15, 2009. ABB is an exploration of art in Seattle that extends outward, both geographically and by topic, touching on art, politics, literature, dance and whatever it is that the cat drags in. Its title comes from a poem by Delmore Schwartz, The Ballad of the Children of the Czar, specifically, "The ground on which the ball bounces/ Is another bouncing ball."
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Regina Hackett ... is the former art critic for the former Seattle P-I. I loved that job every day, but it's gone and I've moved on. As they say in the movies, to infinity and beyond.
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Contact me Click here to send me an email, or email me directly at anotherbb(at)gmail.com. My mailing address is 300 Queen Anne Ave. N. Seattle, WA 98109
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This page contains a single entry by Another Bouncing Ball published on July 30, 2010 3:52 PM.

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