Museum shop failure - A Henry Gallery solution

Bought many postcards from museum shops lately? I thought not. There was a time that travel required them, as keepsakes and to let folks at home know you're not only in Houston but at the Menil, not just in Chicago but enthralling yourself with Seurat.

Given the recession, there's also less reason to buy nonessentials on a whim, which pretty much deals a death blow to the rest of the stock. Exit cash cow, enter space waster.

The problem used to be acute at the Henry Art Gallery, where two different vendors brought in to run the gift shop went belly up. Last year, the Henry stopped pretending it had a gift shop. There were books on a small cart near the admissions desk, and that was it. The room behind the cart was dark.

It's dark no longer. Painter Matthew Offenbacher proposed turning it into an artist project space, and the Henry said yes.

Offenbacher:

The Henry museum shop has been in deep hibernation since last year, an inaccessible space of institutional dreaming, a snoring lacuna in the museum's lobby--but not for much longer. Beginning the last week in August this project will turn up the temperature, transforming the shop into a hot house, a catalyst, an incubator for Northwest artists. Exhibitions will fall like dominoes: a cascading cavalcade of adventurous, collaborative, celebratory artistic energy. How do artists work together? What can an art exhibition do? What is an audience? Who are you? What can we learn from each other? I hope you'll join us.

It didn't open in August, although the original date is still on the Henry's Web site. It opened in October and was worth the wait. Offenbacher assembles artist teams by picking their names out of his hat. First up are Joseph Park and Jennifer Zwick with a sad-sack video installation.

Gift shop shelves are empty, which adds to the dishevelment. All the action's in a corner in the dark, where the artists' images are projected onto their cut-outs on a makeshift stage. They spin on a pair of Lazy Susans, kick box, dance and stand with silver tinsel at their feet and sing.

Friviloity is hard to pull off in an art context, leading so easily into self-indulgence, but Park and Zwick are adorable.

joejenniferhenry.jpgNext, Claire Cowie, Sol Hashemi and Jason Hirata open Nov. 14 with their version of a Northwest Coast Indian potlatch, The Gift Exchange.

November 8, 2009 7:09 PM | | Comments (3) |

3 Comments

Hello Painters Unite: You ask what Joseph Park is doing. He's helping to build an art community. The name you chose for yourself suggests you approve. The only difference is, Joe isn't limiting his version of community to a single medium.

What is Joe Park doing? He's a painter. Doesn't he want to paint? This is a trivial waste of his time.

The hotness squared.

Leave a comment

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Another Bouncing Ball
This blog continues Art To Go, which I wrote as the art critic for the Seattle Post-Intelligencer, beginning at the end of 2007 and continuing through March 15, 2009. ABB is an exploration of art in Seattle that extends outward, both geographically and by topic, touching on art, politics, literature, dance and whatever it is that the cat drags in. Its title comes from a poem by Delmore Schwartz, The Ballad of the Children of the Czar, specifically, "The ground on which the ball bounces/ Is another bouncing ball."
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Regina Hackett ... is the former art critic for the former Seattle P-I. I loved that job every day, but it's gone and I've moved on. As they say in the movies, to infinity and beyond.
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This page contains a single entry by Another Bouncing Ball published on November 8, 2009 7:09 PM.

Charlie Roberts - the artist's studio was the previous entry in this blog.

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